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An intimate, honest look at how we photograph our families through the lenses of some of the world’s great photographers People photograph their families more than ever before, whether casually, on a phone, or in a formal wedding portrait. This bold anthology explores how photographers around the world take on the emotional roller coaster and complex dynamics of family life. The book is divided into two parts: Our Own Families and Other People’s Families, focusing on photographers who make their own families their subjects and those who aim their lenses at other people’s. Each section includes an essay analyzing the complex attachments between brothers and sisters, parents and children...
Family photography, a ubiquitous domestic tradition in the developed world, is now more popular than ever thanks to the development of digital photography. Once uploaded to PCs and other gadgets, photographs may be stored, deleted, put in albums, sent to relatives and friends, retouched, or put on display. Moreover, in recent years family photographs are more frequently appearing in public media: on posters, in newspapers and on the Internet, particularly in the wake of disasters like 9/11, and in cases of missing children. Here, case study material drawn from the UK offers a deeper understanding of both domestic family photographs and their public display. Recent work in material culture studies, geography, and anthropology is used to approach photographs as objects embedded in social practices, which produce specific social positions, relations and effects. Also explored are the complex economies of gifting and exchange amongst families, and the rich geographies of domestic and public spaces into which family photography offers an insight.
A photo-journey through the homes and lives of 30 families, revealing culture and economic levels around the world.
Family photography, a ubiquitous domestic tradition in the developed world, is now more popular than ever thanks to the development of digital photography. Once uploaded to PCs and other gadgets, photographs may be stored, deleted, put in albums, sent to relatives and friends, retouched, or put on display. Moreover, in recent years family photographs are more frequently appearing in public media: on posters, in newspapers and on the Internet, particularly in the wake of disasters like 9/11, and in cases of missing children. Here, case study material drawn from the UK offers a deeper understanding of both domestic family photographs and their public display. Recent work in material culture studies, geography, and anthropology is used to approach photographs as objects embedded in social practices, which produce specific social positions, relations and effects. Also explored are the complex economies of gifting and exchange amongst families, and the rich geographies of domestic and public spaces into which family photography offers an insight.
An examination of the family album through essays and photo essays from contributors such as Jo Spence, Annette Kuhn, Val Williams, Stuart Hall and Simon Watney. The book looks at the shifting meanings of domestic photography and the transformation of the family album into narratives of commmunity.
FAMILY – A small word with powerful meaning. Most of us trace the roots of our own personal identity back to our experience of being part of a family. The definition of what a family is can vary widely, but most family photography is anything but varied. We are used to the basic posing of a group, assembled and smiling like they never do in real life. This doesn't offer much visual or emotional impact. Create an image that captures the spirit of a family – as well as the individualism of the members – and you start at a magical place. That family now feels something when they view the photograph. In Tamara Lackey's Envisioning Family: A photographer's guide to making meaningful portrai...
More than 500 photographs of people from all over the world illustrate those moments and feelings in life that all men share. Reissue.
'Street Photography Now' celebrates the work of 46 image-makers from across the globe. Included are such luminaries as Magnum grandmasters Gilden, Parr and Webb, as well as an international posse of emerging photographers. Four essays and quotes from interviews with the photographers are included--
The Family of Man is the most widely seen exhibition in the history of photography. The book of the exhibition, still in print, is also the most commercially successful photobook ever published. First shown at the Museum of Modern Art in New York in 1955, the exhibition travelled throughout the United States and to forty-six countries, and was seen by over nine million people. Edward Steichen conceived, curated and designed the exhibition. He explained its subject as `the everydayness of life' and `the essential oneness of mankind throughout the world'. The exhibition was a statement against war and the conflicts and divisions that threatened a common future for humanity after 1945. The popu...
From leading photography expert Me Ra Koh, "The Photo Mom," comes the book for parents with little to no photography experience who want to capture better portraits and photos of their families using any camera. What parent doesn’t want to capture the perfectly imperfect joy of family life through photos? From holidays and vacations to portraits and shared moments, celebrated photographer (and mom) Me Ra Koh not only helps moms and dads take better photos, but inspires them to discover photography as a way to connect with, cherish, and celebrate their family. With forty beautiful “photo recipes” anyone can follow—with any camera—preserving your family’s story has never been easier!