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Phyllida Barlow: Collected Lectures, Writings, and Interviews
"Alongside her career as an artist, Phyllida Barlow has written, taught, lectured, and been the subject of numerous interviews. This book brings together fifty texts by Barlow - a diverse array of prose, presentations, reflections on artists, and conversations with art-world luminaries, critics, and fellow artists. Edited by Sara Harrison, this reader gives access to nearly fifty years of Barlow's thoughts on art, making, teaching, drawing, and other artists." (site web éditeur).
Phyllida Barlow
The British sculptor Phyllida Barlow CBE RA (b. 1944) studied at Chelsea College of Art (1960-63) and the Slade School of Art (1963-66), where she later taught for much of her career. Since retiring from teaching in 2009, she has been elected a Royal Academician, created new work for Tate Britain and the Royal Academy, had numerous solo shows and represented Britain at the Venice Biennale. Barlow's large-scale sculptures eschew serenity, balance, and beauty in favour of instability, obstruction, and oddness. This study of Phyllida Barlow situates her as an important figure within British contemporary art.
Objects For...And Other Things
Although this monograph focuses on the sculpture, installations, drawings and writings of Phyllida Barlow it also provides an opportunity to chart the vagaries of sculpture, since the 1960s, which Barlow has witnessed, been influenced by and critical of. Her work consists predominantly of large, three dimensional installations in which the use of space--and our relationship to it--plays an important role. As if watching a play unfold on stage, the viewer witnesses the work and its carefully constructed plot.
Phyllida Barlow
Reproducing over 200 works on paper from the past 50 years, this retrospective publication presents a crucial part of British sculptor Phyllida Barlow's (born 1944) oeuvre. Designed by Japanese graphic designer Takaaki Matsumoto, the book will be published alongside the Hauser & Wirth London exhibition opening in late May 2014. A never-before-published interview between the artist and Hans Ulrich Obrist provides insight into drawings that are not preparations but, rather, daily exercises done before, during and after the creation of her sculptures. While the works on paper range in style, they demonstrate a consistency in color and form in their exploration of ideas related to structures, architectural interiors and urban surroundings. Barlow's works on paper date back to the early 1960s when she was a student at Chelsea College of Art in London.
Phyllida Barlow
Phyllida Barlow deconstructs contemporary sculpture--literally. After her breakout exhibition in 2010, the British artist scrapped her colossal works for parts, recycling their components for new sculptures. This resistance to the perceived permeance of art defines her oeuvre. At once intimidating and childlike, her monumental art, comprised of both industrial and household materials, reflects playfully on our relationship to our natural and human environments. This major retrospective collects both drawings and sculptures from across Barlow's long and influential career, including impressive photographs of new installations as well as never-before-seen archival material of sculptures that have already been destroyed. The book underscores why Barlow is regarded as one of the most prominent artists in Britain today.
Phyllida Barlow
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Phyllida Barlow
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Phyllida Barlow
Since the 1960s, British sculptor Phyllida Barlow (born 1944) has pursued a unique investigation into materiality, form and process in the wake of the minimalist and postminimalist movements of the 1960s and 70s. Barlow's 2013 exhibition Scree, at the Des Moines Art Center, was designed specifically for the museum, responding to and residing within the architecture of its I.M. Pei wing. Built in 1968, this classically Brutalist architecture with its poured concrete structure and expansive windows forms the perfect backdrop to the artist's ongoing development of the minimalist legacy. Scree also includes 55 works on paper from the late 1960s to the present, which are juxtaposed with works she has selected from the Des Moines Art Center's Permanent Collections. These include works by artists who have been central to her artistic development such as Louise Bourgeois, Yayoi Kusama, Magdalena Abakanowicz, John Chamberlain and Eva Hesse.
Phyllida Barlow
This volume documents the first New York solo exhibition of British sculptor Phyllida Barlow (born 1944) at the New Museum. Barlow began making work in the early 1970s, and was inspired by American sculptors like Eva Hesse to explore connections between the sculpture and the body, using substances such as concrete, felt, wooden pallets and polystyrene.
Phyllida Barlow: Sculpture
An updated edition of the indispensable guide to the British artist Phyllida Barlow's sculptural oeuvre across 6 decades. Phyllida Barlow: Sculpture, 1963-2023 is a comprehensive guide to Phyllida Barlow's sculptural language, charting the progression of the artist's extraordinary and influential career. Barlow's restless invented forms stretch the limits of mass, volume, and height, challenging her audience into a new relationship with the sculptural object, the gallery environment, and the world beyond. Originally published by Fruitmarket and Hatje Cantz in 2015, this major monograph begins in the 1960s and documents six decades of Barlow's astonishing sculptures and expansive installation...
