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El Anatsui
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Carlo Mollino
Maniera Moderna is dedicated to the multi-faceted work of the Italian architect, designer and photographer Carlo Mollino (1905-1973). His surrealist roots are evident in the black and white photography and interiors of the 1930s, right through to his later work in the elegant Teatro Regio and his highly staged erotic Polaroids. However, he was also inspired to create the most individual of designs by the Futurism of Gaud�, Niemeyer and Le Corbusier. His extravagant furniture, which he produced in limited numbers or as unique pieces, is still extremely sought after. It is an expression of the designer's extraordinary flights of fancy: chairs can look like deer, the ribs of a table like the human spinal column, backrests like skis. This monograph is divided into six chapters: choreography, montage, publications, display, appropriations and techniques, which impressively highlight the correspondences within Mollino's wide-ranging and heterogeneous oeuvre.
Anish Kapoor
"In a distinguished career spanning thirty years, Anish Kapoor has created an ambitious vocabulary of form manifested in sculptural installation and site-specific works. Using materials as wide-ranging as stone, steel, raw pigment, wax and resin, Kapoor confronts his viewer with both the depths of imagined space and the play of surface illusion. This volume surveys the totality of Kapoor's work, with specific focus on his recent installation Svayambh ('self-creation' in Sanskrit), in which a huge block of red wax travels slowly through the museum space, leaving traces of its passage on walls and doorways. The authors provide in-depth analyses of many of Kapoor's major works, placing them in historical and philosophical context, and offering new insights both into Kapoor's work and the wider context of contemporary sculpture." --Book Jacket.
Anri Sala
Anri Sala hat ausgehend von Arnold Schönbergs Streichsextett Verklärte Nacht (op. 4) für die Ehrenhalle im Haus der Kunst eine Choreografie von Klängen entwickelt, die die Grundstruktur der Komposition Schritt für Schritt freilegen und den Besucher auf eine Reise durch den Raum und die Zeit mitnehmen.
Phyllida Barlow
Phyllida Barlow deconstructs contemporary sculpture--literally. After her breakout exhibition in 2010, the British artist scrapped her colossal works for parts, recycling their components for new sculptures. This resistance to the perceived permeance of art defines her oeuvre. At once intimidating and childlike, her monumental art, comprised of both industrial and household materials, reflects playfully on our relationship to our natural and human environments. This major retrospective collects both drawings and sculptures from across Barlow's long and influential career, including impressive photographs of new installations as well as never-before-seen archival material of sculptures that have already been destroyed. The book underscores why Barlow is regarded as one of the most prominent artists in Britain today.
Franz Erhard Walther
A superbly designed volume on the father of participatory sculpture The interrelationship of media and the participatory component of art are central to this career-spanning monograph of the work of German artist Franz Erhard Walther (born 1939). Proceeding from his earliest works, his Word Images, brightly colored monochrome works, to his influential First Work Set presented at the revolutionary Spaces show at MoMA in 1969, one of the earliest artworks designed to be manipulated by the public and on to his large scale textile works from the 1970s to now that combine aspects of performance, painting, sculpture and architecture, Shifting Perspectives demonstrates how Walther has pioneered intermedia and participatory art. This beautiful volume reflects the colorful textile materials that Walther picked up from pop art and has used throughout his career, with special colored page edges and a clothbound cover.
Kiki Smith
This richly illustrated book offers a full retrospective of Kiki Smith’s work. Artist Kiki Smith has produced an astoundingly varied body of work that deals powerfully with the political, social, philosophical, and spiritual aspects of human nature—especially in the way they relate to women. Smith’s earlier works reflect the social discourse of the 1980s, particularly focusing on death and the AIDS epidemic. She later turned to issues of feminism, abortion rights, and animal rights. This comprehensive book provides an overview of Smith’s artistic development, focusing on her sculpture, from the early 1980s to the present day. Images of her radical, unflinching work reveal an artist who is not afraid to explore subjects such as the human body or a society’s archetypes. Filled with the beauty, vitality, and charm that are the hallmarks of Kiki Smith’s art, this book urges viewers to think and feel.
Stan Douglas
The most comprehensive book available on one of today's most important visual artists, this volume features images from Stan Douglas's acclaimed series as well as stills from a new video work and a stage production. This book features images and stills from Douglas's most recent works: Artists' Cabin, Olde Curio Shop, Kardynal Shoes, Tosi Foods, Crowds and Riots, Midcentury Studio, and Disco Angola. It also includes images from two much-anticipated works: a new video piece and Helen Lawrence, a cinematic stage production. A series of essays discussing Douglas's influences and themes as well as texts by the artist himself round out this impressive book.
David Adjaye
"David Adjaye, a major international figure in architecture and design, transforms complex ideas into approachable, innovative structures. The book contains an introduction by Okwui Enwezor and Zèoe Ryan; an essay by Adjaye himself; analyses of his master plans, transnational architecture, monuments and memorials, and the National Museum of African American History and Culture in Washington, D.C.; and portfolios of his work, grouped by theme"--
The Blue Rider
»Das ganze Werk, Kunst genannt, kennt keine Grenzen und Völker, sondern die Menschheit.« So schrieben es Franz Marc und Wassily Kandinsky 1911 für ihren Almanach Der Blaue Reiter. Dieses programmatische Jahrbuch etablierte den Blauen Reiter (ca. 1911–1914) als einen der ersten transnationalen Künstler*innenkreise. Und dieses Credo inspirierte das Lenbachhaus dazu, das Werk der beteiligten Künstler*innen – unter ihnen Gabriele Münter, Alfred Kubin, Maria Marc und Elisabeth Epstein – nicht nur ästhetisch und historisch, sondern in seinen geistigen, sozio-ökonomischen sowie politischen Zusammenhängen zu betrachten. Denn nicht nur mit Worten, sondern auch mit Bildern und Taten setzte sich der Kreis des Blauen Reiter für ein globales, gleichberechtigtes Kunstverständnis ein. Gefangen in der Zeit der kolonialen Weltordnung vor dem Ersten Weltkrieg, gelang es allerdings auch ihnen nicht, eine emanzipatorische Praxis von Kunst jenseits nationaler Zugehörigkeit sowie tradierter Hierarchien und Gattungen umzusetzen.
