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The Poetry of Chartism
This book explores the contribution made by Chartist poetry to the struggle for fundamental democratic rights.
Lyric and Labour in the Romantic Tradition
Lyric and Labour in the Romantic Tradition, first published in 1998, examines the legacy of Romantic poetics in the poetry produced in political movements during the nineteenth century. It argues that a communitarian tradition of poetry extending from the 1790s to the 1890s learned from and incorporated elements of Romantic lyricism, and produced an ongoing and self-conscious tradition of radical poetics. Showing how romantic lyricism arose as an engagement between the forces of reason and custom, Anne Janowitz examines the ways in which this Romantic dialectic infected the writings of political poets from Thomas Spence to William Morris. The book includes new readings of familiar Romantic poets including Wordsworth and Shelley, and investigates the range of poetic genres in the 1790s. In the case studies which follow, it examines relatively unknown Chartist and Republican poets such as Ernest Jones and W. J. Linton, showing their affiliation to the Romantic tradition, and making the case for the persistence of Romantic problematics in radical political culture.
Imagining Socialism
Socialism names a form of collective life that has never been fully realized; consequently, it is best understood as a goal to be imagined. So this study argues, and thereby uncovers an aesthetic impulse that animates some of the most consequential socialist writing, thought, and practice of the long nineteenth century. Imagining Socialism explores this tradition of radical activism, investigating the diverse ways that British socialists--from Robert Owen to the mid-century Christian Socialists to William Morris--marshalled the resources of the aesthetic in their efforts to surmount politics and develop non-governmental forms of collective life. Their ambitious attempts at social regeneration led some socialists to explore the liberatory possibilities afforded by cooperative labor, women's emancipation, political violence, and the power of the arts themselves. Imagining Socialism demonstrates that, far from being confined to the socialist revival of the fin de siècle, important socialist experiments with the emancipatory potential of the aesthetic in Britain may be found throughout the period it calls the socialist century--and may still inspire us today.
Women Peasant Poets in Eighteenth-century England, Scotland, and Germany
Table of contents
ZAA
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The Chartist Movement
The bibliography includes an introductory essay by Dorothy Thompson and will be of immense value to researchers, teachers and students of labour and social history, and Victorian studies, in universities and schools.
Factory Girl
It is at last being recognized that, contrary to common understanding, there were working-class women poets in the nineteenth century. Yet this growing awareness is rarely accompanied by a sustained engagement with their poetry. Painstaking research into the life and work of an author remains constricted to the Brownings and Rossettis of both sexes. The present study breaks with this academic habit. It is the first critical biography of the Glaswegian writer who signed her poems as 'The Factory Girl'. It is an essay in recovery and exploration, situating Ellen Johnston at the intersection of gender, class and nation. It documents her range of subjects, styles and voices. The book is concluded by a selection of Ellen Johnston's verse.
Gulliver
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