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On Bramante
A new interpretation of the work of Bramante, suggesting an agenda for contemporary architectural practice In On Bramante, architect Pier Paolo Tamburelli considers the work of the celebrated Italian Renaissance architect Donato Bramante and through this reappraisal suggests a possible agenda for current architectural practice. Bramante, Tamburelli argues, offers an excellent starting point to imagine a contemporary theory of space, to reflect on the relationship between architecture and politics, and to look back—with neither nostalgia nor contempt—at the tradition of Western classicism. Starting from a discussion of the difference in the work of Bramante in Milan (1481–1499) and Rome...
GRUNDKURS
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Frantic
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MCHAP
MCHAP: The Americas' brings together leading architects and academics in a dialogue exploring the current state of architecture throughout the Americas and explores themes raised by the seven finalist projects (designed by Herzog & de Meuron, Álvaro Siza, Steven Holl Architects, OMA/ LMN? Rem Koolhaas and Joshua Prince-Ramus, Smiljan Radic, Cristián Undurraga, Rafael Iglesia) from the inaugural Mies Crown Hall Americas Prize cycle recognizing the best built work in the Amercas from 2000 through 2013. 0As part of the Mies Crown Hall Americas Prize (MHCAP) program, established by Dean Wiel Arets at IIT Architecture Chicago, recognizing the best built work in the Americas from 2000 through 2013, MCHAP is publishing 'MCHAP BOOK ONE', as well as publications by the authors of MCHAP 2000-2008 winner, Álvaro Siza, the MCHAP 2009-2013 winner, Herzog & de Meuron, and the MCHAP.emerge 2000-2013 winner, Pezo von Ellrichshausen.
Log 49
As the world reckons with the compounding crises of a pandemic, racial unrest, a recession, and climate change, Log 49 compiles essays, interviews, observations, and manifestos by 29 authors in an effort to make sense of architecture, the city, and nature in the midst of turmoil. This 196-page issue includes a special section, The Return of Nature, guest edited by architectural philosophers Gökhan Kodalak and Sanford Kwinter, who write in their introduction, "The world is on fire, and we are the fire. . . . The time has come for a reboot." They, along with philosophers Muriel Combes and Erin Manning and architects Jenny E. Sabin and Peter Trummer, offer concepts and methods toward that rebo...
The Nightmare of Participation
Including an introduction by Eyal Weizman, a conversation with Chantal Mouffe, an interview by Hans Ulrich Obrist, and post-scripts by Bassam El Baroni, Jeremy Beaudry, and Carson Chan. Welcome to Harmonistan! Over the last decade, the term "participation" has become increasingly overused. When everyone has been turned into a participant, the often uncritical, innocent, and romantic use of the term has become frightening. Supported by a repeatedly nostalgic veneer of worthiness, phony solidarity, and political correctness, participation has become the default of politicians withdrawing from responsibility. Similar to the notion of an independent politician dissociated from a specific party, this third part of Miessen's "Participation" trilogy encourages the role of what he calls the "crossbench practitioner," an "uninterested outsider" and "uncalled participator" who is not limited by existing protocols, and who enters the arena with nothing but creative intellect and the will to generate change.
Stefano Graziani: Documents on Raphael
Documents on Raphael' is not only a rediscovery project carried out on the five hundredth anniversary of Raphael?s death, but above all an operation of re-visioning. Stefano Graziani?s photographs explore the works of the artist from Urbino?with particular reference to his output as an architect?their transformation over time, and his own process that translated them into images. Graziani puts variation before permanence and reflects on the very concept of the restoration, the archive, conservation, display, and of course the original, that last so dear to the photographic debate, especially considering that Raphael never saw any of his works as we see them today. Graziani?s images, combined with reliable evidence regarding Raphael?s production, refer back to the most iconic classical genres of representation: landscape and still life.
Comparison
Design-Driven Research encompasses many different forms of research in which architectural, design, and artistic practices and the results thereof, are implemented as a means to generate and disseminate new knowledge. This includes contemporary alternative formulations of the field, like Artistic Research, Research by Design, Practice-Based/Led Research, Creative Practice Research. CA2RE+ is a joint Erasmus+ strategic partnership of nine European universities in association with EAAE, ELIA and ARENA, and it supports early-career researchers and Ph.D. students to improve the quality of their research. CA²RE+ explicates the transformative and innovative power of highly individual strategies in artistic research, the diversity of research traditions, and the integrative nature of architectural design research, able to face the contemporary knowledge fragmentation from humanities, social sciences, and technology. Along with the CA2RE+ timeline project, the focus of Milano conference narrows by comparing design strategies and tactics applied to highlight common approaches and methodological specificities within the consortium and the broader community involved.
Future Tempos
In the continuous effort to make architecture public, technology plays a fundamental role. While in pre-typographical times authors limited the publication of their work to autographed documents, with the appearance of the printing press publications became the main vehicle for disseminating the practice and associated discourses. However, in recent times, with the emergence of the digital era, these original channels have multiplied. The recent proliferation of architecture biennials and prizes, architecture exhibitions, the exhaustive and continuous publication of material online, the reshaping of traditional publishing houses specializing in architecture, and new online forums for discussing and circulating ideas all reveal a radical shift in how architecture becomes public.This new scenario is rife with opportunities, but it also poses important challenges. Traditional notions of singular authorship, canons of credibility and the legitimacy of knowledge, patterns of visibility and readability, the identification of categories of quality and originality are all topics that require reflection and, in some cases, the reformulation of traditional standards.
