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Regret the Error
Winner of the National Press Club’s Arthur Rowse Award for Press Criticism! From Craig Silverman, proprietor of www.RegretTheError.com, comes a lively journey through the history of media mistakes via a chronicle of funny, shocking, and often disturbing journalistic slip-ups. The errors--running the gamut from hilarious to tragic--include "Fuzzy Numbers” (when numbers and math undermine reporting) "Obiticide” (printing the obituary of a living person), and "Unintended Consequences” (typos and misidentifications that create a new, incorrect reality). While some of the errors are laugh-out-loud funny, the book also offers a serious investigation of contemporary journalism’s lack of accountability to the public, and a rousing call to arms for all news organizations to mend their ways and reclaim the role of the press as honest voice of the people.
The Digested Read
Literary ombudsman John Crace never met an important book he didn't like to deconstruct. From Salman Rushdie to John Grisham, Crace retells the big books in just 500 bitingly satirical words, pointing his pen at the clunky plots, stylistic tics and pretensions of Big Ideas, as he turns publishers' golden dream books into dross.
Don't You Know Who I Am?
'They say you can always remember where you where when pivotal moments happen, such as losing your virginity or Elvis dying. Let me add another to the list: the moment I sang a duet to the the "Macarena" with Timmy Mallett, live to millions of people...' Sacked from his high-profile job as a national newspaper editor, Piers Morgan dived helplessly into the world of celebrity. But even twenty years of commenting on the lives of the rich and famous couldn't prepare him for the extraordinary world he uncovered... A riveting, scandelous and brutally honest account of one man's quest for celebrity, Don't You Know Who I Am? lifts the lid on the egos and outrageous behaviour of everyone from Paris Hilton to Cherie Blair, Kate Moss to the legend that is the Hoff.
The End of Journalism
This book offers an international perspective on the current - and future - state of contemporary news-making. The thirteen contributors explore how evolving conditions and technologies of production and reception are changing the practices of journalism across the world - from Britain to Latin America, from the United States to China. The essays examine the role of the journalist in the era of mobile journalism, online journalism and citizen journalism, and ask how our understanding of journalism has changed and will continue to change in response to the rise of the blog, the camera phone and new modes of broadcast and publication. Finally, the volume asks how a new kind of journalist might continue to act as the mediator between people and power in a modern democratic state.
