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The Messengers of Death
Emile Pencenat is in a cemetery, designing his own ornate tomb. In a disused postbox by the gate he discovers an envelope addressed to a Mlle Veronique Champourcieux. He is puzzled but, being a former postman, he dutifully purchases a stamp and posts the letter. When the body of this same Mlle Veronique is later discovered - pinned to her own piano by a bayonet attached to an ancient rifle - Commissaire Laviolette is coaxed out of retirement to solve one of the most bizarre crimes imaginable. Tautly plotted and brimming with suspense, Magnan's latest novel to be translated into English is a story of dark vengeance and avarice, linking the peasant community of Upper Provence to nineteenth-century South Africa.
Death in the Truffle Wood
Banon is a small, peaceful village in upper Provence, where the local community's principal source of income comes from the cultivation and sale of truffles. When a group of society's drop-outs choose to set up home on the outskirts of the village, trouble ensues.
I, Pierre Rivi_re, Having Slaughtered My Mother, My Sister, and My Brother--
To free his father and himself from his mother's tyranny, Pierre Rivière decided to kill her. On June 3,1835, he went inside his small Normandy house with a pruning hook and cut to death his mother, his eighteen-year-old sister, and his seven-year-old brother. Then, in jail, he wrote a memoir to justify the whole gruesome tale. Michel Foucault, author of Madness and Civilization and Discipline and Punish, collected the relevant documents of the case, including medical and legal testimony, police records. and Rivière's memoir. The Rivière case, he points out, occurred at a time when many professions were contending for status and power. Medical authority was challenging law, branches of government were vying. Foucault's reconstruction of the case is a brilliant exploration of the roots of our contemporary views of madness, justice, and crime.
The Murdered House
One dark night in the winter of 1896, in remote upper Provence, a family is brutally massacred. Only a three-week-old baby miraculously survives. In 1920, the orphan, S-raphin Monge, finally returns home from the war to pursue the truth. Haunted by the image of his mother's dying moments, he turns on the house that has seen such misery, destroying it stone by stone. As the walls crumble, the killers' identities are laid bare and his anger turns to vengeance. But for every murder S-raphin plots, another hand silently executes it in his place.
Final Moments
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The Revolutionary Origins of Life and Death
The question of why an individual would actively kill itself has long been an evolutionary mystery. Pierre M. Durand’s ambitious book answers this question through close inspection of life and death in the earliest cellular life. As Durand shows us, cell death is a fascinating lens through which to examine the interconnectedness, in evolutionary terms, of life and death. It is a truism to note that one does not exist without the other, but just how does this play out in evolutionary history? These two processes have been studied from philosophical, theoretical, experimental, and genomic angles, but no one has yet integrated the information from these various disciplines. In this work, Dura...
Master of Death
This work investigates the theoretical and personal understanding of death, and its implicit relationship with birth, as perceived in medieval society. It studies the work of one specific illuminator, reniet, whose pictures embody medieval attitudes towards death.
A Death at the Pierre
A world-wide quasi religious movement has hit a rough patch after the death of its founder. Mark, a young Brit posted to the New York office in the early Seventies, struggles to make sense of it all amid the turbulence of shifting loyalties.
