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A genre-defying novel about love, murder and quantum theory. A crime thriller based upon a philosophical conundrum: if science demonstrated that consciousness could survive death, how far would you go to discover if it was true? In an age of divisive belief systems, Bradley Holmeson a thirty-something bookshop manager, is attempting to cure his existential dilemma with quantum physics. Research leads him to a radical theory of consciousness based on the work of real-life theoretical physicist David Bohm, which Holmeson self-publishes in a short, seditious manifesto. He doesn’t want revolution so much as literary notoriety, hoping that success will impress his estranged girlfriend. However, his writing begins to attract the wrong attention... A reluctant philosopher embroiled in an occult experiment, Holmeson meets the violent, the obsessed and the dangerously misguided, armed only with his defensive sarcasm – and all to win back the woman he loves.
In 'My Name is Daphne Fairfax' Arthur Smith reflects on the nature of comedy and his days as a scruffy kid on the bombsites of Bermondsey, a wild-haired undergraduate, a roadsweeper, an English teacher, a failed rock star, a boozed-up sexual adventurer and an intensive care patient who has been told never to drink again.
In the first major academic work to examine British variety theatre, Double provides a detailed history of this art form and analyses its performance dynamics and techniques. Encompassing singers, comedians, dancers, magicians, ventriloquists and diverse speciality acts, this vibrant book draws on a series of new interviews with variety veterans.
Barry Cryer is one of the great comedians of the last 50 years. This is a sparkling series of hilarious and true anecdotes, almost all of which have never been told before! Barry Cryer has collaborated with all the greats from Max Miller to Tony Hancock, Bob Hope, Peter Cook and Dudley Moore, John Cleese, Frankie Howerd, Kenny Everett, Spike Milligan, Eric Sykes, Dave Allen, Richard Pryor, Tommy Cooper, Les Dawson, Graham Chapman, the Two Ronnies, Morecambe and Wise - in fact almost all the great comedians and comic writers since the mid 1950s. Barry's set of experiences with these legends of humour is unique, and will delight all who made PIGS CAN FLY a runaway porcine bestseller. In this completely new, organically grown book, old Baz recalls, reminisces, recounts and other words beginning with 'R', on a trip down Memory Lane, pausing only for tea and macaroons at the Stannah Stairlift Cafe. What memories - if only he can remember them. Currently 74, a third of his life has already passed and he invites you to enjoy this wonderfully funny account of it, a decorous orgy of nostalgia.
In 2006, the comedian Dominic Frisby began to question the advice his financial advisers were giving him and began to look after his own money. He was fascinated by the world of finance. Mad though his friends and family thought him at the time, he put everything he owned into gold, which subsequently appreciated by several hundred per cent. Soon MoneyWeek were asking him to write a weekly column and he began seven years of obsessive reading and study. Life After the State is the culmination of that process. Just as Frisby saw the financial crash of 2008 coming, he now sees another one, even more calamitous, headed our way – only this one has serious political ramifications as well. But no...
Foreword by Sandi Toksvig | WATERSTONES' BEST BOOKS OF 2023: ENTERTAINMENT'Give this book to everyone you know - NOW!' Miriam Margolyes'This is a joyous, uplifting book' Observer'He was so funny and such fun and here he is again in all his rib-tickling glory' Gyles Brandreth'I don't know how long I've got left ... I don't even buy green bananas anymore' When the legendary comedian Barry Cryer died in January 2022, there was a vast outpouring of grief, appreciation and anecdotes - from the general public and fellow comics alike. Now, his son, Bob, is doing what Barry's humility did not allow: revealing the story of the man behind the jokes.This book is an ode both to Barry's incredible life a...
In a world obsessed with celebrity culture do the best stories belong to ordinary people? A tramp wanders through New York on the day John Lennon is shot; a doctor remembers a Muhammad Ali fight from his childhood; a mother’s Harry Potter obsession follows the death of her child. Intentionally or not, celebrities past, present and future assert their influence over the lives of us all. Addressing this very modern phenomenon, these stories offer an unflinchingly honest and thought-provoking picture of the world in which we live. Fifteen Minutes is a short story collection about fame, presented through the extraordinary eyes of unabashedly ordinary characters.
'A glittering stream of revelatory light . . . Fascinating' THE TIMES 'Rich, complex and original' TOM HOLLAND 'One of the best books on Blake I have ever read' DAVID KEENAN 'Absolutely wonderful!' TERRY GILLIAM 'An alchemical dream of a book' SALENA GODDEN 'Tells us a great deal about all human imagination' ROBIN INCE *** Poet, artist, visionary and author of the unofficial English national anthem 'Jerusalem', William Blake is an archetypal misunderstood genius. His life passed without recognition and he worked without reward, mocked, dismissed and misinterpreted. Yet from his ignoble end in a pauper's grave, Blake now occupies a unique position as an artist who unites and attracts people f...
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This book examines the interconnections between punk and alternative comedy (altcom). It explores how punk’s tendency towards humour and parody influenced the trajectory taken by altcom in the UK, and the punk strategies introduced when altcom sought self-definition against dominant established trends. The Punk Turn in Comedy considers the early promise of punk-comedy convergence in Peter Cook and Dudley Moore’s ‘Derek and Clive’, and discusses punk and altcom’s attitudes towards dominant traditions. The chapters demonstrate how punk and altcom sought a direct approach for critique, one that rejected innuendo, while embracing the ‘amateur’ in style and experimenting with audience-performer interaction. Giappone argues that altcom tended to be more consistently politicised than punk, with a renewed emphasis on responsibility. The book is a timely exploration of the ‘punk turn’ in comedy history, and will speak to scholars of both comedy and punk studies.