Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Oxford Shakespeare: A Midsummer Night's Dream
A Midsummer Night's Dream is perhaps the best loved of Shakespeare's plays. It brings together aristocrats, workers, and fairies in a wood outside Athens, and from there the enchantment begins. In the introduction to this edition, Peter Holland pays particular attention to dreams and dreamers, and to Shakespeare's construction of a world of night and shadows. Both here and in his commentary he explores the play's extensive performance history to illustrate the wide range of interpretations of which it is capable.
Theatre Closure and the Paradoxical Rise of English Renaissance Drama in the Civil Wars
Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the 'death' of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the receding theatrical past. Marketed in terms of novelty and nostalgia, plays unprinted before 1642 gained new life. Stationers also anatomized the whole corpus of English drama, printing the first anthologies and comprehensive catalogues of drama. Craig captures this crucial turning-point in English theatre history with chapters on royalist nostalgia, clandestine theatrical revivals, dramatic compendia, and the mysteriously small number of Shakespeare editions issued during the period, as well as a new incisive reading of Beaumont and Fletcher's A King and No King.
Shakespeare Survey
The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
The Circulation of Knowledge in Early Modern English Literature
With its many rites of initiation (religious, educational, professional or sexual), Elizabethan and Jacobean education emphasized both imitation and discovery in a struggle to bring population to a minimal literacy, while more demanding techniques were being developed for the cultural elite. The Circulation of Knowledge in Early Modern English Literature examines the question of transmission and of the educational procedures in16th- and 17th-century England by emphasizing deviant practices that questioned, reassessed or even challenged pre-established cultural norms and traditions. This volume thus alternates theoretical analyses with more specific readings in order to investigate the multip...
Theatre and Religion
Publisher Description
Renaissance Tales of Desire
This revised and augmented edition of four mythological tales translated from Ovid during the Elizabethan period calls attention to the genre of the epyllion and suggests a possible literary influence on later poets and playwrights such as Marlowe and Shakespeare. Indeed, while openly concerned with the central theme of metamorphosis, these short narrative poems express deep male anxiety about female desire. Elizabethan epyllia always seemed prone to renegociate the orthodoxy of early modern desire in a masculine, somewhat misogynous sphere, addressing the issues of mutability in a world of large-scale social changes. Finally, beyond the restricted readership of the spheres of the Inns of court for which they were originally intended, these works reached a much wider audience. And as students of early modern English poetry and Renaisance scholars in general are likely to find out, these witty poetic variations and rhetorical displays represent a real embarrassment of riches.
Shakespeare's Musical Imagery
A study of the meaning of Shakespeare's musical imagery in his plays and poems.
Shakespeare's Memory Theatre
Wilder examines the excessive remembering of figures such as Romeo, Falstaff, and Hamlet as a way of defining Shakespeare's theatricality.
Region, Religion and Patronage
This groundbreaking book uses the possibility that Shakespeare began his theatrical career in Lancashire to open up a range of new contexts for reading the plays, and introduces readers to the non-metropolitan theater spaces which formed a vital part of early modern dramatic activity. Essays give a detailed picture of the contexts in which the apprentice dramatist would have worked, providing new insights into regional performance, touring theatre, the patronage of the Earls of Derby, and the purpose-built theater at Prescot.
