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The Songs and Sonets of John Donne
There may be no finer edition of Donne's Songs and Sonets than Redpath's annotated volume. Out of print for a decade, it is reprinted here in its second, revised edition. The book's twofold origin is evident on every page of commentary: it arises partly from a life of scholarship and partly from Redpath's experiences as a teacher.
Samsons Cords
Samson's Cords examines the radically different responses of John Milton, Andrew Marvell, and Samuel Butler to the existential crises caused by an explosion of loyalty oaths in Britain before and after 1660.
The Modest Ambition of Andrew Marvell
The Modest Ambition of Andrew Marvell deals with the specific historical presences and pressures that led Marvell to devise his defenses of Richard Lovelace, Oliver Cromwell, Thomas Fairfax, and John Milton. It also focuses on the poetic or formal response that Marvell makes to historical fact, not only in the strategies of his language, but also in the perceptible adjustments such strategies signal for his self-appointed role as poet-apologist.
Andrew Marvell's Liminal Lyrics
Andrew Marvell's Liminal Lyrics: The Space Between is an interdisciplinary study of the major lyric poems of seventeenth-century British metaphysical poet Andrew Marvell. The poet and his work have generally proven enigmatic to scholars because both refuse to fit into normal categories and expectations. This study invites Marvell readers to view the poet and some of his representative lyrics in the context of the anthropological concept of liminality as developed by Victor Turner and enriched by Arnold Van Gennep, Jacques Lacan, and other observers of the in-between aspects of experience. The approach differs from previous attempts to "explain" Marvell in that it allows multidisciplinary and...
A Reader's Guide to the Narrative and Lyric Poetry of Thomas Lovell Beddoes
Beddoes poses a peculiar problem for critics and scholars who wish to redress the marginal position that he occupies in the Romantic canon – a problem seemingly unique to him, and created in part by his misconception of his own strengths as a writer. An extremely good poet who, had things turned out differently, might have functioned as a missing link between Keats and Tennyson, he fatally divided his attention between verse and medicine, a discipline that by his own admission (made in the poem composed for Zoë King) served to wither his creative gift. This fission of energy was bad enough, but more damaging still was his misconception of metier, for whatever mental resources remained to ...
Wordsworth’s Trauma and Poetry
Based upon the testimony of Thomas Carlyle, most biographers acknowledge that Wordsworth witnessed the beheading of the journalist Antoine Gorsas in October 1793 during the Reign of Terror. But they go no further. This study reads the Poet’s reactions to the Terror in passages from The Prelude as explicitly about his twenty-three-year-old-self witnessing the gory deaths of Gorsas and others, which caused post-traumatic stress disorder and its symptoms, exacerbated by guilt for abandoning his French lover and their child a year earlier. Following a chronological arc from October 1793, when the trauma began, until its conclusion in October 1803, when Wordsworth became a poet-soldier, I examine poetic works from The Borderers (1796), the “Discharged Soldier’ (1798), the Two-Part Prelude (1799), Home at Grasmere (1800), and the Liberty sonnets (1803), to follow the Poet working through anxiety, fear, and remorse to a resolution.
Romanticism, Lyricism, and History
Argues against the persistent view of Romantic lyricism as inherently introspective by relating the poems of William Wordsworth, John Clare, and Charlotte Smith, as well as the letters and prose works of Dorothy Wordsworth, to their historical and literary contexts.
Leigh Hunt and the Poetry of Fancy
Like Wordsworth, Hunt divided his output into loose generic categories when he began preparing a select edition of his poetry toward the end of his life, categories retained and amplified by H. S. Milford in his 1923 edition. Edgecombe has used these divisions as a way of organizing his study, and also of illustrating the immense range of forms and genres that the poet explored in the course of a long career.
Paradise Reframed
In 1677, John Dryden, poet laureate to the restored Charles II, published ‘The State of Innocence’. Emphatically advertised on its title page as ‘an opera,’ Dryden’s book was based on ‘Paradise Lost’, John Milton’s 1667 epic about the fall and eventual restoration of mankind. In the heated political climate of the 1670s, the publication of this libretto suggested the bold and cunning appropriation of an idiosyncratic text widely viewed, even then, as a mirror of its author’s theological and political opposition to the Restoration establishment. Focusing on the historical background to Dryden’s ‘reframing’ of ‘Paradise Lost’, this study recovers the various and oft...
