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"With the rise of the gramophone circa 1900, the shellac disc mushroomed into the dominant sound format of the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor as well as early colonial expeditions to capture sounds, to offer a global portrait of this format. Spun at 78 revolutions per minute, the shellac disc had become an industrial standard, even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Yet the recording of sounds was only one element in the making of this global format. Using friction as a lens, Gavin Williams reveals the environments plundered, the materials seized, the ears entangled. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium and so too explores new ways of understanding listening in technological culture more broadly"--
The Hudson River Valley, which George Washington referred to as the "Key to the Northern Country," played a central role in the American Revolution. From 1776 to 1780, with major battles fought at Saratoga, Fort Montgomery, and Stony Point, the region was a central battleground of the Revolution. In addition, it witnessed some of the most dramatic and memorable aspects of the war, such as Benedict Arnold's failed conspiracy at West Point, the burning of New York's capital at Kingston, and the more than six-hundred-mile march of Washington and the Continental Army and Jean Baptiste Donatien de Vimeur, comte de Rochambeau, and his French Expeditionary Corps to Yorktown, Virginia. Compiled from essays that appeared in the Hudson Valley Regional Review and the Hudson River Valley Review, published by the Hudson River Valley Institute, the book illustrates the richly textured history of this supremely important time and place.
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A history of the Metropolitan Opera in New York City traces the offstage and onstage workings of the institution, surveying notable composers, actors, and performances since 1883.