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City at the End of Time 形象香港
Written by Leung Ping-kwan in the 1980s and 1990s, this volume of poetry evokes the complexity of Hong Kong city life in the critical moments preceding the 1997 handover. The poet muses upon the problems of cultural identity and the passing of time, and explores the relationship between poetry and other genres and media within a cross-cultural and cross-border context. An introduction by Ackbar Abbas in the original edition relates Leung’s writing to the cultural and political space of Hong Kong in the 1990s. This expanded bilingual version adds a new essay by Esther Cheung, and also a recent conversation between Leung and three critics, which provides insights on how Leung’s poetry still resonates powerfully after two decades. The book invites readers to look afresh at Leung’s meditative poetry and probe into the contradictory realities of this changing postcolonial city.
Lotus Leaves
Leung Ping Kwan is one of Hong Kong's most acclaimed poets. His poems display a unique blend of the literary and the down-to-earth, of the modern and the traditional, of the serious and the humorous, of the local and the universal. In his own words, 'I want my poems about things to be a dialogue with the world, to learn and be inspired by the shapes, smells and colours of things….' This collection has been carefully curated, and is arranged under ten thematic sections: Lotus Leaves, Hong Kong, Macao, Foodscape, After the Book of Songs, Strange Tales: After Pu Songling, Clothink, Museum Pieces, Places and Friends, and Bitter-Melon and Others. These translated poems, and the delight they bring, are a celebration of the continuing legacy of a remarkable Hong Kong poet.
Lotus Leaves
Leung Ping-kwan is one of Hong Kong's most acclaimed poets. His poems display a unique blend of the literary and the down-to-earth, the modern and the traditional, the serious and the humorous, the local and the universal. He wrote, 'I want to write a kind of modern poetry that does not have to turn away from the world we live in, that rethinks the relationship between language and objects...' This collection has been carefully curated, and is arranged under ten thematic sections: Lotus Leaves, Hong Kong, Macao, Foodscape, After the Book of Songs, Strange Tales: After Pu Songling, Clothink, Museum Pieces, Places and Friends, Bitter-Melon and Others. These translated poems, and the delight they bring, are a celebration of the continuing legacy of a remarkable Hong Kong poet.
Dragons
Leung Ping Kwan brought as much talent and inspiration to the writing of his short stories as he did to his poems. 'I have drawn on magical realism to explore the absurdity of Hong Kong,' he wrote of the story 'See Mun and the Dragon' (1975) in which we find him using a simple, clipped style. The later story 'Drowned Souls' (2007) was written in a more symbolic, lyrical and more complex manner. Although the two stories are separated by over thirty years, and are in many ways so very different, dragons play a prominent part in both. The dragon has always been a fascinating creature, a complex embodiment of the timeless soul of China, symbol of the universal power of the imagination, of the creative energy and transformative possibilities of the Tao. Both of these enchanting stories are anchored in the author's idea of freedom and liberation."
Dragons
Leung Ping-kwan brought as much talent and inspiration to the writing of his short stories as he did to his poems. 'I have drawn on magical realism to explore the absurdity of Hong Kong,' he wrote of the story 'See Mun and the Dragon' (1975) in which we find him using a simple, clipped style. The later story 'Drowned Souls' (2007) was written in a more symbolic, lyrical and complex manner, influenced by the style of the traditional Chinese tales of the supernatural. Although the two stories are separated by over 30 years, dragons play a prominent part in both. The dragon has always been a fascinating creature, a complex embodiment of the timeless soul of China and a symbol of the creative energy and transformative possibilities of the Tao. Both of these enchanting stories are anchored in the author's ideas of freedom and liberation.
The Hong Kong Modernism of Leung Ping-kwan
This book resolves around the fundamental question, “What is Hong Kong modernism?” To address this issue, C.T. Au identifies three significant characteristics: a renewal of traditions, an obsession with ordinary things, and an expression of concerns about social and political issues, shared among Western modernisms, Chinese modernism in the 1940s, and such Hong Kong modernists as Ma Lang, Liu Yichang, and Leung Ping-kwan (Yasi/Ye Si). This research concentrates on an examination of the major modernist tenets embodied in Leung’s literary works. Leung Ping-kwan is one of the most prominent and widely read Hong Kong modernist writers; however, there exist only a few scholarly works which ...
Eight Hong Kong Poets
EIGHT HONG KONG POETS: Leung Ping-Kwan, Jennifer Wong, Shirley Geok-lin Lim, David McKirdy, Tammy Ho Lai-ming, Eddie Tay, Timothy Kaiser & Sarah Howe. Through world wars, revolutions and colonial diasporas, Hong Kong has welcomed people from all parts of China and all over the world. In such a mix, poets find a home that inspires and provokes in equal measure. Hong Kong poetry in English has been very much a story of poets who go, come, return and sometimes are in several places at once. Yet in all this moving about, something of Hong Kong always remains even, or especially, when all other influences are peeled away. People who know Hong Kong will recognise it instantly. EIGHT HONG KONG poets is an anthology of contemporary Hong Kong poetry in English and includes selections from published works of both venerated elder statesmen of the form and acclaimed newcomers.
變化的邊界
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Islands and Continents
From one of the most celebrated literary figures in Hong Kong comes this collection of short stories. Seeing Hong Kong through a kaleidoscope, the author poignantly represents Hong Kong through a variety of themes.
Diasporic Histories
Chinese migrant communities have reinvented their histories in many contexts, but the process of globalization has accelerated and diversified this phenomenon. Their fluid identities, innovative modernities, and generative talents in overcoming prejudice and multiple dislocations offer powerful examples of creative resistance to placebound traditions and nationalist histories. As the velocity of exchange in global media and commerce steadily increases, emergent and dynamic diasporas are increasingly influential in transnational discourses. This volume engages cultural representations of the subjectivities and loyalties of Chinese migrant communities, including analyses of aesthetic texts, as...
