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A collection of writings, appearing for the first time in English, pertaining to the spirituality of the 12th-century Norbertines (a.k.a. Order of Premonstratensians, the religious order founded by St. Norbert of Xanten).
St Martin of Tours was a protector saint of numerous French kings. His was one of the most successful saintly cults in medieval Europe, and the city of Tours functioned as a religious metropolis, drawing pilgrims from all over the continent. Until now, little has been known about how St Martin came to inspire such a lively folkloric tradition, numerous works of art, and the establishment of thousands of churches and numerous confraternities. In this book, Yossi Maurey addresses these questions by focusing on the church dedicated to the saint in Tours, which acted as the crucible for Martin's cult. Maurey explores the music and liturgy of the cult - the most effective means of its dissemination - to reveal its enormous diffusion and impact. Building a more concrete picture of how saints' cults operated and shaped medieval realities, this book also provides new insights into the interactions between contemporary religion, art and politics.
This book investigates Jan Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter for the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429, when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided for the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analysed with regard to King Joao I's conquest of Ceuta, achieved by his sons, who were hailed as an "illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania's sustained fascination with Arthurian lo...
Rogier van der Weyden 1400-1464: Master of Passions highlights the body of work of, alonside Jan van Eyck, one of the most important Flemish painters of the fifteenth century. His success begins around 1453 when he leaves his native Tournai to settle in
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Includes entries for maps and atlases.
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Brussels has become the 'capital' of Europe and its status as a political, economic, and diplomatic nerve center is set to assume ever greater importance as the European Union grows in depth and breadth and as the city continues to serve as the headquarters site for key regional and international agencies, including the North Atlantic Treaty Organization, United Nations organizations, multinational businesses, lobbying firms, governmental groups, and nongovernmental organizations. A sourcebook on the city, therefore, is important for all those studying about, residing in, or traveling to Brussels, Belgium, Europe, and the North Atlantic region. Historical Dictionary of Brussels is the first ...