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Contemporary Farce on the Global Stage
Contemporary Farce on the Global Stage provides audiences and practitioners a detailed survey of how the genre of farce has evolved in the 21st century. Often dismissed as frivolous, farce speaks a universal language, with the power to incisively interrogate our world through laughter. Unlike farces of the past, where a successful resolution was a given and we could laugh uproariously at adulterous behaviour, farce no longer guarantees an audience a happy ending where everything works out. Contemporary farce is no longer ‘diverting us’ with laughter. It is reflecting the fractured world around us. With a foreword by award-winning playwright Ken Ludwig, the book introduces readers to the ...
Literature and Union
This volume provides a fresh perspective on the ways in which writers have dealt with the relationship between literature and union, especially in Scottish literary contexts. It interrogates, from various angles, the assumption of a binary opposition between organic Scottish values and those supposedly imposed by an overbearing imperial England.
Dramaturgy of Sex on Stage in Contemporary Theatre
Dramaturgy of Sex on Stage in Contemporary Theatre explores the dramaturgy of sex in contemporary works for the stage in the social, cultural and historical context of the time and place during which they were written and performed. Comprising chapters by writers from across North America and Europe, the book covers an expansive range of plays, musicals and dance performances, from Broadway to the Fringe, from post-AIDS epidemic to post-COVID-19 pandemic. Analysing these intimate moments—both textually and as staged—through an intersectional and critical lens illuminates the way power structures are maintained and codified, and how they can be queered and dismantled onstage and off. This examination of depictions of sex on stage attempts to understand from a dramaturgical and sociological perspective how these depictions have developed over time, and how the rise of intimacy directors has responded to the changes within the contemporary theatrical landscape and in the world at large. This is an essential companion for any scholar or practitioner looking to stage, discuss or understand intimacy in performance.
The Child in Videogames
Drawing across Games Studies, Childhood Studies, and Children’s Literature Studies, this book redirects critical conversations away from questions of whether videogames are ‘good’ or ‘bad’ for child-players and towards questions of how videogames produce childhood as a set of social roles and rules in contemporary Western contexts. It does so by cataloguing and critiquing representations of childhood across a corpus of over 500 contemporary videogames. While child-players are frequently the topic of academic debate – particularly within the fields of psychology, behavioural science, and education research - child-characters in videogames are all but invisible. This book's aim is to make these child-characters not only visible, but legible, and to demonstrate that coded kids in virtual worlds can shed light on how and why the boundaries between adults and children are shifting.
Everything Man
From his cavernous voice and unparalleled artistry to his fearless struggle for human rights, Paul Robeson was one of the twentieth century's greatest icons and polymaths. In Everything Man Shana L. Redmond traces Robeson's continuing cultural resonances in popular culture and politics. She follows his appearance throughout the twentieth century in the forms of sonic and visual vibration and holography; theater, art, and play; and the physical environment. Redmond thereby creates an imaginative cartography in which Robeson remains present and accountable to all those he inspired and defended. With her bold and unique theorization of antiphonal life, Redmond charts the possibility of continued communication, care, and collectivity with those who are dead but never gone.
Play Dead
Identity, gender, and race politics all collide ferociously in this unflinching collection that actively cuts through cultural and social constructs.
Play Dead
A perfect marriage unravels on their honeymoon in this shocking thriller from the bestselling author and creator of the hit Netflix drama Fool Me Once. Laura Ayars' perfect world is shattered at a time which should have been the happiest of her life. On her honeymoon, her husband goes for a swim - and never returns. But what has happened to David - can he really be dead? Whilst struggling to cope with her almost overwhelming grief, Laura is plagued by questions and doubts. Was it an accident? Or suicide? As events begin to unfold, Laura starts to question David's mysterious disappearance. She begins to uncover a conspiracy which reaches deep into the past, and is now slowly beginning to destroy everyone involved. Someone will do anything to keep Laura away from the awful truth - and she has no idea who she can trust . . .
Play Dead
Today's #1 New York Times bestselling thriller writers agree: Ryan Brown's compulsively readable first novel is unbeatable-a darkly humorous, rich and pungent zombie shocker that melds our national obsession with football and the newest wave of fascination with the undead. For the first time in Killington High School history, the Jackrabbits football team is one win away from the district championship where it will face its most vicious rival, the Elmwood Heights Badgers. On the way to the game, the Jackrabbits's bus plunges into a river, killing every player except for bad-boy quarterback Cole Logan who is certain the crash was no accident-given that Cole himself was severely injured in a b...
Play Dead
Following a deep investigation into an incident in another Force, Colin Harpur and his boss, Assistant Chief Constable Desmond Iles, uncovered an unpalatable truth: there is corruption in the ranks. Good detective work allowed the pair to arrest and charge a fellow policeman, who murdered an undercover officer in an attempt to keep a crook―police racket secret. But their work is not yet done. Who ordered the execution? Why? Just how high did the conspiracy go? And ― and most importantly ― does the crooked power group behind the assassin still flourish? There are questions that remain to be answered ― so when the home office decides to reopen the case, it is Harpur and Iles to whom the investigation is once more handed.
Contemporary Gothic Drama
This ground-breaking volume is the first of its kind to examine the extraordinary prevalence and appeal of the Gothic in contemporary British theatre and performance. Chapters range from considerations of the Gothic in musical theatre and literary adaptation, to explorations of the Gothic’s power to haunt contemporary playwriting, macabre tourism and site-specific performance. By taking familiar Gothic motifs, such as the Gothic body, the monster and Gothic theatricality, and bringing them to a new contemporary stage, this collection provides a fresh and comprehensive take on a popular genre. Whilst the focus of the collection falls upon Gothic drama, the contents of the book will embrace an interdisciplinary appeal to scholars and students in the fields of theatre studies, literature studies, tourism studies, adaptation studies, cultural studies, and history.
