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Play Dead
Identity, gender, and race politics all collide ferociously in this unflinching collection that actively cuts through cultural and social constructs.
Allegiance
A sharp, haunting, and lyrical collection that attempts to understand what we owe the spaces we inhabit. The full-length debut from francine j. harris, allegiance is about Detroit, sort of. Although many of the poems are inspired by and dwell in the spaces of the city, this collection does not revel in any of the cliché cultural tropes normally associated with Detroit. Instead, these poems artfully explore life in a city where order coexists with chaos and much is lost in social and physical breakdown. Narrative poems on the hazards, betrayals, and annoyances of city life mix with impressionistic poems that evoke the natural world, as harris grapples with issues of beauty and horror, loyalt...
Salt Body Shimmer
Lyrical and rife with utterance, Salt Body Shimmer asks of the violence we inherit: who speaks from "the threshold throat" inside "the dark's dark"? Interior driven and intimately political, the poems in this stunning debut coax and trouble form, traversing the landscape of trauma and survival with a deft musicality of time, family, and slippery memory. At the intersections of race, class, gender, and sexuality, Foreman makes a song of the body-it's howl and jubilation-and invites us to confront our interior lives in the listening. Bold in its quest for knowledge and refuge, Salt Body Shimmer articulates a contemporary American experience, aware of the histories unsaid and unfaced, where women can inhabit their lives fully and freely, knowing safety is fragile and must be grabbed by whatever thread we can find.
We Begin in Gladness
One of our most perceptive critics on the ways that poets develop poems, a career, and a life Though it seems, at first, like an art of speaking, poetry is an art of listening. The poet trains to hear clearly and, as much as possible, without interruption, the voice of his or her mind, the voice that gathers, packs with meaning, and unpacks the language he or she knows. It can take a long time to learn to let this voice speak without getting in its way. This slow learning, the growth of this habit of inner attentiveness, is poetic development, and it is the substance of the poet’s art. Of course, this growth is rarely steady, never linear, and is sometimes not actually growth but diminishm...
Morning Glory on the Vine
A gorgeous compendium of Joni Mitchell's handwritten lyrics and drawings, originally handcrafted as a gift for a select group of friends in 1971 and now available to the public for the first time In 1971, as her album Blue topped charts around the world, Joni Mitchell crafted one hundred copies of Morning Glory on the Vine as a holiday gift for her closest friends. For this stunningly beautiful book, Joni hand-wrote an exquisite selection of her own lyrics and poems and illustrated them with more than thirty of her original pictures. Handcrafted, signed, and numbered in Los Angeles, the existing copies of this labor of love have rarely been seen in the past half-century. Now, during Joni's s...
Self-Portrait with Cephalopod
Environmental collapse. The betrayals and alliances of the animal world. A father who works in a timber mill. The celebrities in our feeds, the stories we tell ourselves. Loss, never-ending loss. Self-Portrait with Cephalopod—selected by francine j. harris as winner of the Jake Adam York Prize—is an account of being a girl, and then a woman, in the world; of being a living creature on a doomed planet; of being someone who aspires to do better but is torn between attention and distraction. Here, Kathryn Smith offers observations and anxieties, prophecies and prayers, darkness and light—but never false hope. Instead, she incises our vanities and our hypocrisies, “the bloody hand holding back / the skin,” revealing “the world’s inner workings, / rubbery and caught between the teeth.” These are the poems of someone who feels her and our failings in the viscera, in the bones, and who bears witness to that pain on the page. Self-Portrait with Cephalopod is an urgent and necessary collection about living in this precarious moment, meditative and resolutely unsentimental.
Calling a Wolf a Wolf
A POETRY BOOK SOCIETY RECOMMENDATION I could not be held responsible for desire he could not be held at all Tracking the joys and pains of the path through addiction, and wrestling with desire, inheritance and faith, Calling a Wolf a Wolf is the darkly sumptuous debut from award-winning poet Kaveh Akbar. These are powerful, intimate poems of thirst: for alcohol, for other bodies, for knowledge and for life. 'The struggle from late youth on, with and without God, agony, narcotics and love, is a torment rarely recorded with such sustained eloquence and passion as you will find in this collection' FANNY HOWE 'Compelling . . . strange . . . always beautiful' ROXANE GAY, AUTHOR OF BAD FEMINIST AND HUNGER 'Truly brilliant' JOHN GREEN, AUTHOR OF THE FAULT IN OUR STARS 'A breathtaking addition to the canon of addiction literature' PUBLISHERS WEEKLY (STARRED REVIEW)
Women of Resistance
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Renegade Poetics
"Beginning with a deceptively simple question--what do we mean when we designate behaviors, values, or forms of expression as "black"?--Evie Shockley's Renegade poetics teases out the more complex and nuanced possibilities the concept has long encompassed. She redefines black aesthetics descriptively, resituating innovative poetry that has been marginalized becuase it was not "recognizably black" and avant-garde poetry dismissed because it was"--Back cover.
Portrait of the Alcoholic
Portrait of the Alcoholic is the first chapbook of poems from Ruth Lilly-winner and founding editor of Divedapper, Kaveh Akbar.
