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A Life Beyond Boundaries
An intellectual memoir by the author of the acclaimed Imagined Communities Born in China, Benedict Anderson spent his childhood in California and Ireland, was educated in England and finally found a home at Cornell University, where he immersed himself in the growing field of Southeast Asian studies. He was expelled from Suharto’s Indonesia after revealing the military to be behind the attempted coup of 1965, an event which prompted reprisals that killed up to a million communists and their supporters. Banned from the country for thirty-five years, he continued his research in Thailand and the Philippines, producing a very fine study of the Filipino novelist and patriot José Rizal in The ...
Following the Cap-Figure in Majapahit Temple Reliefs
This title is available online in its entirety in Open Access. This publication provides a new understanding of the religious function of the East Javanese temples. The study of the cap-figures and their symbolism yields an outstanding contribution to the uniqueness of Majapahit culture.
New Developments in Asian Studies
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Antara Sejarah dan Mitos
Sulalat u’s-Salatin atau Sejarah Melayu, bersama-sama dengan Hikayat Hang Tuah adalah dua buah karya klasik agung orang Melayu yang tidak perlu ditekankan peri pentingnya dalam sejarah kebudayaan bangsa itu. Dihasilkan pada abad ke-16 dan ke-17, karya yang asalnya ditulis berperingkat-peringkat dengan berdasarkan tradisi lisan, masing-masing telah menjadi rujukan utama dalam pengajian sejarah dan kebudayaan bangsa Melayu. Kendatipun banyak orang menganggap Sejarah Melayu sebagai sebuah karya sejarah yang bona fide, dan ramai pula yang menganggap Hikayat Hang Tuah adalah epik sejarah yang benar-benar meriwayatkan petualangan Laksamana Melaka yang hidup antara abad ke-15 dan ke-16, namun usa...
Reading Śiva
An extensive, illustrated bibliography for the Hindu god Śiva in the arts of South and Southeast Asia, offering detailed indices and easy access to resource repositories.
Bima Swarga in Balinese Wayang
The aim of the author's research was to study 1) the thematic elements and the composition of the plays (lelampahan wayang), and 2) their religious and cultural background. She concentrates on one particular play: the story of Bima Swarga. The study is based mainly on fieldwork carried out in Bali over the period 1972- 1976, when materials were collected from oral and written sources.
A History of Classical Malay Literature
This is a detailed, narrative–based history of Classical Malay Literature. It covers a wide range of Malay texts, including folk literature; the influence of the Indian epics and shadow theatre; Panji tales; the transition from Hindu to Muslim literary models; Muslim literature; framed tales; theological literature; historical literature; legal codes; and the dominant forms of poetry, the pantun and syair. The author describes the background to each of these particular literary periods. He engages in depth with specific texts, their various manuscripts, and their contents. In so doing, he draws attention to the historical complexity of tradisional Malay society, its worldviews, and its place within the wider framework of human experience. Dr. Liaw’s History of Classical Malay Literature will be of benefit to beginning students of Malay Literature and to established scholars alike. It can also be read with benefit by those with a wider interest in Comparative Literature and in Southeast Asian culture in general.
Hikayat Hang Tuha (atau Hikayat Hang Tua)
Karya ini sekali lagi mempamerkan keberanian pengarangnya dalam memberikan tafsiran baru terhadap satu lagi karya klasik agung orang Melayu. Kali ini dengan menggunakan kaedah filologi, Prof. Emeritus Datuk Dr. Ahmat Adam secara kritis telah membedah isi kandungan sebuah hikayat yang selama lebih daripada dua abad ternyata salah dibaca dan silap ditransliterasikan ke huruf Rumi oleh para pengkaji Orientalis dan tempatan. Kesalahan zaman-berzaman ini jugalah yang menjadikan hikayat yang masyhur ini telah silap ditafsirkan bukan sahaja dari segi penyebutan nama gelaran Laksamana Melaka yang sebenar, tetapi juga dari segi isi kandungan yang menceritakan petualangan Laksamana yang masyhur itu. Y...
Jaranan
The dramatic genre of the horse dance (jaranan) is part of an age-old Javanese tradition displaying wide local and regional variations. A striking feature of the performances of the majority of horse dance groups is the appearance of trance dancers. These are used as a means of establishing contact with the spirits of the ancestors, who continue to play an important part in the lives of their descendants as moral beacons in the solution of problems and the fulfillment of wishes. As a consequence of the modernization of society in almost every aspect of life, vigorously propagated as it was by the Suharto regime in the period 1966-1998, the trance in horse dancing has been strongly discouraged as an anachronism. This has prompted a search for new ways of preserving this dramatic genre for future generations. The way the administration of Kediri and a number of local horse dance companies set about solving this problem constitutes a dominant theme of this book. To bring the phenomenon of the horse dance in Java into sharper focus, a brief account is given of its history, as well as a description of the great variety of horse dance groups of and a range of aspects of this genre.
