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Live Poetry
Preliminary Material -- Introduction -- Key Challenges for the Scholar of Live Poetry -- Towards a Definition of Live Poetry -- Analysing Live Poetry -- Audiotext -- Body Communication -- Contextualising the Performance -- Jackie Hagan's “Coffee or Tea?”: A Sample Analysis -- Checklist for the Analysis of Live Poetry Performances -- Conclusion -- Bibliography -- Table of Figures -- Index.
How to Enjoy Poetry
'Someone recently said to me, in reference to my poetry podcast, that you'd think poetry would be more popular than ever, in the twenty-first century, because people don't have a lot of time and 'novels are often quite big while poems are often quite small'. I referred them to Doctor Who's Tardis.' Frank Skinner wants you to read more poetry. Wait, wait - don't stop reading. Whether you're a frequent poetry reader or haven't read any since sixth form, Frank's infectious passion for language, rhythm and metre will win you over and provide you with the basic tools you need to tackle any poem. In this short, easy-to-digest and delightful book, Frank guides us through the twists and turns of 'Pad, pad' by Stevie Smith, a short, seemingly simple poem that contains multitudes of meaning and a deceptive depth of emotion. Revel in the mastery of Stevie Smith's choice of words, consider the eternal mystery of the speaker of the poem and be moved by rhyming couplets like you never have before. Give it a go. You never know, you might even enjoy it.
I have to live
A new collection ablaze with urgency and radiant inquiry from a 2015 finalist for the Trillium Book Award for Poetry A demand and promise; an obligation and challenge; a protest and call: I have to live. Juiced on the ecstasy of self-belief: I have to live. A burgeoning erotics of psychic boldness: I have to live. In which sensitivity is recognized as wealth: I have to live. Trumpeting the forensic authority of the heart: I have to live. This is original ancient poetry. It fashions a universe from its mouth.
This Twilight Menagerie
Edited by Jamie Trower and Sam Clements, This Twilight Menagerie is a celebration of forty years of a cultural institution that is Aotearoa New Zealand's longest running live poetry group, Poetry Live! From current poet laureate David Eggleton, award winning poet Siobhan Harvey, and the celebrated Vaughan Rapatahana, Elizabeth Kirkby-McLeod, and Kiri Piahana-Wong, to many more, this anthology marks a major milestone in the socio-cultural history of spoken word poetry in the country, through a rich and varied tapestry of compositional styles, forms and themes. Representing poets from multiple generations, this collection offers a distinctive snap shot in time of rich diversity in poetic expression.
Life of the Party
A dazzling debut collection of raw and explosive poems about growing up in a sexist, sensationalized world, from a thrilling new feminist voice. i’m a good girl, bad girl, dream girl, sad girl girl next door sunbathing in the driveway i wanna be them all at once, i wanna be all the girls I’ve ever loved —from “Girl” Lauded for the power of her writing and having attracted an online fan base of millions for her extraordinary spoken-word performances, Olivia Gatwood now weaves together her own coming-of-age with an investigation into our culture’s romanticization of violence against women. At times blistering and riotous, at times soulful and exuberant, Life of the Party explores t...
The End of the Poem
The End of the Poem contains the fifteen lectures delivered by Paul Muldoon as Oxford Professor of Poetry, from 1999 to 2004. Rather than individual and discrete performances, these lectures form a dazzling set of variations around the sustained theme of 'the end of the poem'. Each lecture explores a different sense of an ending: whether a poem can ever be a free-standing structure, read and written in isolation from other poems; whether a poem's line-endings are forms of closure (and where this might leave the poem in prose); whether the poem is completed only with the reader's act of understanding; whether revision brings a poem nearer to its ideal ending (when does a poet know when a poem has come to an end?); what is the right true end of poetry, and is the end of the poem the beginning of criticism, including an Arnoldian 'criticism of life'?
Chocolate Cake
When I was a boy, I had a favourite treat. It was when my mum made . . . CHOCOLATE CAKE! Ohhh! I LOVED chocolate cake. Fantastically funny and full of silly noises, this is Michael Rosen's love letter to every child's favourite treat, chocolate cake. Brought to life as a picture book for the first time with brilliant and characterful illustrations by Kevin Waldron.
Poetry Where You Live
Poetry Where You Live is a state of mind, believing that poetry, like Gods grace, is where you live, not something you have to seek out in some distant place. The beauty of nature, the faith that sustains us, the smile of our daughters, and the love that we share, these are all subjects of my poetry. I have been truly humbled by this gift from God. I have tried to be faithful to the call to write, to share, to spread the good news truly to the ends of the earth. Please visit Poetry Where You Live (www.raymondafoss.blogspot.com), for my 4,000+ poems. I hope these words bring joy, love, peace, and belief to a troubled world. People say that a picture speaks a thousand words. With poetry, I can paint a picture, capture a moment, a smell, a scene in a handful of words. I hope these words paint pictures for you.
