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Featuring 54 portraits by 34 artists, Face takes a fresh look at Australian portraiture from the 1880s late colonial period to the mid-1960s and the move into abstraction. Face considers the international influences upon Australian portrait painting and the more distinctive turns that Australian portraiture has taken in its own right. Australian artists have often challenged the possibilities of portraiture, rejected the predictable and pushed boundaries in both their choice of subject and their painterly approach. Artists include Tom Roberts, George W. Lambert, Rupert Bunny, Margaret Preston, Grace Crowley, Napier Waller, Albert Tucker, Sidney Nolan, Russell Drysdale, and John Brack.
This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions. Well-known artists such as Margaret Preston, Rover Thomas, and Sidney Nolan are all discussed, as are the natural history illustrators, Aboriginal draughtsmen, and pastellists, whose work is only now being brought to light by new research. Taking the European colonization of the continent in 1788 as his starting point, Sayers highlights important issues concerning colonial art and women artists in this fascinating new story of Australian art.
Robert Dowling (1827-1886) holds a special place in the history of Australian art as its first locally trained artist. He is known for his portraits of Australian colonial society, genre, oriental and biblical subjects, and important mid-19th century paintings of Tasmanian and Victorian Aborigines. Born in England, he migrated with his family to Tasmania at the age of seven. Showing early talent, at the age of 24, Dowling became a professional portrait painter. In 1857 he sailed for England for formal studies in London. Between 1859 and 1882, Dowling exhibited works at the Royal Academy as well as sending paintings to Australia--the earliest expatriate to do so. This is the first publication...
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Portraits of Albert Namatjira, Nannultera, Lionel Rose, Evonne Cawley and Daisy Bates, each with brief details of their lives.
Over the last two hundred years portraiture has played a major role in the emergence of Australian myths and legends and the creation of a cultural heritage - insde cover
Presents a selection of paintings from the mid-1900s arranged under headings - World of nature - Town and city - Figures and portraits - Interiors and still life - Symbols, dreams and spirituality - Abstraction - Mixed media - Contemporary Aboriginal painting.
"... explores key moments of connection between portraiture and psychology in Australia since the early twentieth century. The exhibition brings together portraits of the pioneers of pscyhology in Australia from World War I to the 1950s and explores the works of artists whose experiments with portraiture are strongly informed by their interest in psychology, the subconsious mind and intense mental states."--P. 1.
Portraits by European artists, 1800-50.