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Guy de Maupassant's Selected Works (Norton Critical Editions)
The Norton Critical Edition includes:- Thirty of Maupassant's best short stories centering on war, the supernatural, and French life, translated by Sandra Smith.- An introduction and explanatory footnotes by Robert Lethbridge.- Essays, letters, and newspaper articles on the subjects that influenced Maupassant's writing, including politics, war, love,despair, and the supernatural.- Sixteen critical assessments from Maupassant's time to our own, including those by Joseph Conrad, David Coward, MaryDonaldson-Evans, Rachel Killick, Roger L. Williams, Ruth A. Hottell, and Katherine C. Kurk.- A Chronology and a Selected Bibliography.
Guy de Maupassant's Selected Works (First International Student Edition) (Norton Critical Editions)
“Smith successfully captures Maupassant’s depiction of nineteenth-century French culture using terminology that allows these wonderful texts to reach a fresh generation of readers. A solid translation of some wonderful short stories.” —Library Journal The Norton Critical Edition includes: - Thirty of Maupassant’s best short stories centering on war, the supernatural, and French life, translated by Sandra Smith. - An introduction and explanatory footnotes by Robert Lethbridge. - Essays, letters, and newspaper articles on the subjects that influenced Maupassant’s writing, including politics, war, love, despair, and the supernatural. - Sixteen critical assessments from Maupassant’s time to our own, including those by Joseph Conrad, David Coward, Mary Donaldson-Evans, Rachel Killick, Roger L. Williams, Ruth A. Hottell, and Katherine C. Kurk. - A Chronology and a Selected Bibliography.
Zola's Painters
As the author of the twenty-volume Rougon-Macquart series, Émile Zola enjoys a reputation as one of the greatest novelists of the 19th century: but his essays on painting, and in particular his early championing of Manet, mark him out also as one of the most significant art critics of the age. Zola's Painters is the first book to explore the entirety of this body of work in its own right: some 150 texts written over thirty years. Robert Lethbridge, editor of the new Classiques Garnier edition of this corpus (two-thirds of which he unearthed himself from the newspapers in which they original appeared), now offers a radical reevaluation of Zola's writing on contemporary artists. The novelist's approval of the Impressionists, for example, must be seen in the light of an equal admiration for the Old Masters, which sits uneasily with Zola's modernist credentials as they are celebrated by posterity. Robert Lethbridge is a Life Fellow of Fitzwilliam College, Cambridge, and Emeritus Professor of French Language and Literature in the University of London. He is currently Hon. Professor at the University of St Andrews.
The Assommoir
'in this life, even if you don't ask for much you still end up with bugger all!' In a run-down quarter of Paris, Gervaise Macquart struggles to earn a living and support her family. She earns a pittance washing other people's dirty clothes in the local washhouse, and dreams of having her own laundry. But in order to start her business she must incur debt, and her feckless husband cannot resist the lure of the Assommoir, the local bar that supplies all the working men with cheap spirits and absinthe. As her money troubles grow, so Gervaise's life begins to spiral out of control, and she is trapped in a vicious web of want and neglect. The Assommoir is a pivotal novel in Zola's Rougon-Macquart series. In it he lays bare the terrible poverty of the Parisian underclass, living in overcrowded tenements, addicted to drink, a world of squalor, and casual violence. It contains some of Zola's most powerful and graphic writing, unforgettable portrayals of individuals and their environment, and the fine line between self-respect and ruin.
The Cambridge History of French Literature
The most comprehensive history of literature written in French ever produced in English.
La Debacle
La Debacle is the penultimate novel in Zola's great Rougon-Macquart cycle. A stirring account of profound friendship between two soldiers from opposite ends of the class divide during the Franco-Prussian War and the Commune of 1870-1.
Bel-Ami
'His rise testifies to the decline of a whole society.' Jean-Paul Sartre Maupassant's second novel, Bel-Ami (1885) is the story of a ruthlessly ambitious young man (Georges Duroy, christened 'Bel-Ami' by his female admirers) making it to the top in fin-de-siècle Paris. It is a novel about money, sex, and power, set against the background of the politics of the French colonization of North Africa. It explores the dynamics of an urban society uncomfortably close to our own and is a devastating satire of the sleaziness of contemporary journalism. Bel-Ami enjoys the status of an authentic record of the apotheosis of bourgeois capitalism under the Third Republic. But the creative tension between...
Pierre Et Jean
Pierre et Jean marked a turning point in the development of French fiction, situated as it is between traditional social realism and the pyschological novel. It is recognized as a classic study of filial jealousy and is also notable for its evocation of the Normandy coastline captured by the Impressionists.
Perspectives on Manet
Bringing forth fresh perspectives on Manet's art by established scholars, this volume places this compelling and elusive artist's painted ?uvre within a broader cultural context, and links his artistic preoccupations with literary and musical currents. Rather than seeking consensus on his art through one methodology, or focusing on one crucial work or period, this collection investigates the range of Manet's art in the context of his time and considers how his vision has shaped subsequent interpretations. Specific essays explore the relationship between Manet and Whistler; Emile Zola's attitude toward the artist; Manet's engagement with moral and ethical questions in his paintings; and the heritage of Charles Baudelaire and Clement Greenberg in critical responses to Manet. Through these and other analyses, this volume illuminates the scope of Manet's career, and indicates the crucial position the artist held in generating a modernist avant-garde aesthetic.
Artistic Relations
In this innovative volume, literary critics and art historians explore the relationship between literature and the visual arts in 19th-century France. Eighteen leading scholars, including Pierre Bourdieu, Germaine Greer, Segolene Le Men, Roger Cardinal and Mary Ann Caws analyse contemporary forms of representation to reveal the rich variety of factors that link image and text.
