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Why is shame so central to our identity and to our culture? What is its role in stigmatizing subcultures such as the Irish, the queer or the underclass? Can shame be understood as a productive force? In this lucid and passionately argued book, Sally R. Munt explores the vicissitudes of shame across a range of texts, cultural milieux, historical locations and geographical spaces – from eighteenth-century Irish politics to Philip Pullman's His Dark Materials trilogy, from contemporary US academia to the aesthetics of Tracey Emin. She finds that the dynamics of shame are consistent across cultures and historical periods, and that patterns of shame are disturbingly long-lived. But she also reveals shame as an affective emotion, engendering attachments between bodies and between subjects – queer attachments. Above all, she celebrates the extraordinary human ability to turn shame into joy: the party after the fall. Queer Attachments is an interdisciplinary synthesis of cultural politics, emotions theory and narrative that challenges us to think about the queerly creative proclivities of shame.
Why is shame so central to our identity and to our culture? What is its role in stigmatizing subcultures such as the Irish, the queer or the underclass? Can shame be understood as a productive force? In this lucid and passionately argued book, Sally R. Munt explores the vicissitudes of shame across a range of texts, cultural milieux, historical locations and geographical spaces - from eighteenth-century Irish politics to Philip Pullman's His Dark Materials trilogy, from contemporary US academia to the aesthetics of Tracey Emin. She finds that the dynamics of shame are consistent across cultures and historical periods, and that patterns of shame are disturbingly long-lived. But she also reveals shame as an affective emotion, engendering attachments between bodies and between subjects - queer attachments. Above all, she celebrates the extraordinary human ability to turn shame into joy: the party after the fall. Queer Attachments is an interdisciplinary synthesis of cultural politics, emotions theory and narrative that challenges us to think about the queerly creative proclivities of shame.
Drawn from extensive, new and rich empirical research across the UK, Canada and USA, Queer Spiritual Spaces investigates the contemporary socio-cultural practices of belief, by those who have historically been, and continue to be, excluded or derided by mainstream religions and alternative spiritualities. As the first monograph to be directly informed by 'queer' subjectivities whilst dealing with divergent spiritualities on an international scale, this book explores the recently emerging innovative spaces and integrative practices of queer spiritualities. Its breadth of coverage and keen critical engagement mean it will serve as a theoretically fertile, comprehensive entry point for any scholar wishing to explore the queer spiritual spaces of the twenty-first century.
Within Western Buddhism, practitioners are often assumed to be white and middle-class. Based in ground-breaking empirical research, Cosmopolitan Dharma: Race, Sexuality, and Gender in British Buddhism explores the stories of Buddhists from minority communities, through a rich analysis of their lived experiences. Smith, Munt and Yip explore their various contestations of dominant white and heteronormative cultures in Western Buddhism. Using cosmopolitanism as the theoretical lens, Cosmopolitan Dharma argues convincingly that the Buddhist ethos of human interconnectivity needs to be further developed to truly embrace the ‘Other’ of different kinds (not least Western Buddhism’s own internal ‘Others’). Cosmopolitan Dharma, through Buddhists’ own narratives, explores how cultural politics from the ground up can offer a more inclusive philosophy and lived experience of spirituality.
The 1990s has seen the growing consolidation of lesbian and gay studies as a key area of cultural theory, particularly in relation to ideas about the construction of subjectivity and identity. Lesbian theory specifically intersects with feminism and sexuality/identity politics to critique both gender and (hetero) sexuality, while developments in lesbian criticism suggest a move towards a new textual practice. This volume explores whether there can be a specific lesbian aesthetic, juxtaposed against reading as a 'woman' or as a 'heterosexual'. Contributors both explore the uses of recent theories such as post-structuralism and offer a lesbian critique of such methodologies. Close readings of contemporary lesbian fiction and popular culture focus on works such as Zami, Oranges Are Hot the Only Fruit, The Wanderground and Desert of the Heart, as well as on lesbian pornography. Together the essays point to lesbian culture's ability to create new meanings for itself and to foreground the intertextuality of lesbian identities. This important book, which includes a reassessment of lesbian literary criticism by Bonnie Zimmerman, contributes to a new and growing field of critical theory.
Culture has long been regarded as one of the most complicated concepts in the social sciences, possibly over theorized. Its ubiquity, tangled senses of particularity and the almost universal recognition of that assumed particularity require an extended vocabulary for framing the politics embedded in it. Cultural Practices, Political Possibilities attempts to explain the political significance and overlaps of cultural constructions as witnessed in global-local clashes, convergences of texts and contexts, within the state and community, identity and the self. Through various case-studies, concepts and interdisciplinary perspectives, the multinational group of authors from diverse academic backgrounds interprets cultural constructions of politics as factionalizing, identitarian, situational and particularistic in their links, affirmations and consequential divides. Each contribution, in its unique way explores the performative asymmetries and contradictions witnessed in diverse cultural interactions that shape new areas of political investigation. The book will be welcomed by students of international relations, environmental politics, sociology, anthropology and cultural studies.
Drawn from extensive, new and rich empirical research across the UK, Canada and USA, Queer Spiritual Spaces investigates the contemporary socio-cultural practices of belief, by those who have historically been, and continue to be, excluded or derided by mainstream religions and alternative spiritualities. As the first monograph to be directly informed by 'queer' subjectivities whilst dealing with divergent spiritualities on an international scale, this book explores the recently emerging innovative spaces and integrative practices of queer spiritualities. Its breadth of coverage and keen critical engagement mean it will serve as a theoretically fertile, comprehensive entry point for any scholar wishing to explore the queer spiritual spaces of the twenty-first century.
Despite the much vaunted ’end of religion’ and the growth of secularism, people are engaging like never before in their own ’spiritualities of life’. Across the West, paranormal belief is on the rise. The Ashgate Research Companion to Paranormal Cultures brings together the work of international scholars across the social sciences and humanities to question how and why people are seeking meaning in the realm of the paranormal, a heretofore subjugated knowledge. With contributions from the UK and other European countries, the USA, Australia and Canada, this ground-breaking book attends to the paranormal as a position from which to critique dominant forms of knowledge production and sp...
Somatechnics highlights the reciprocal bond between the sôma and the techné of 'the body' and the techniques in which bodies are formed and transformed as crafted responses to the world around us. Structured around the themes of the governance of social bodies, the gendering of sexed bodies and the techniques associated with the formation of the self, Somatechnics presents a groundbreaking study of body modification. Its contributions to the work of Spinoza, Nietzsche, Merleau-Ponty, Deluze and Guattari make it a must read for scholars of sociology, cultural and queer studies and philosophy.
From South Park to Kathy Acker, and from Lars Von Trier to Sex and the City, women's sexual organs are demonized. Rees traces the fascinating evolution of this demonization, considering how calling the 'c-word' obscene both legitimates and perpetuates the fractured identities of women globally. Rees demonstrates how writers, artists, and filmmakers contend with the dilemma of the vagina's puzzlingly 'covert visibility'. In our postmodern, porn-obsessed culture, vaginas appear to be everywhere, literally or symbolically but, crucially, they are as silenced as they are objectified. The Vagina: A Literary and Cultural History examines the paradox of female genitalia through five fields of artis...