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A Book of English Prose
Percy Lubbock, CBE (1879-1965) was an English man of letters, known as an essayist, critic and biographer. He was educated at Eton College and King's College, Cambridge. He won the James Tait Black Memorial Prize for 1922, with his memoir of childhood summer holidays at Earlham Hall in Norfolk. He became an emigre, and lived in Gli Scafari on the Gulf of Spezia. Towards the end of his life he went blind. Remarkably well-placed socially, his intellectual connections included E. M. Forster, a Cambridge contemporary, Edith Wharton (a member of her Inner Circle from about 1906), Howard Sturgis and Bernard Berenson. He reviewed, anonymously in the columns of the Times Literary Supplement, significant modern novels including Forster's Howard's End. His 1921 book The Craft of Fiction ('the official textbook of the Modernist aesthetics of indirection') became a straw man for writers including Virginia Woolf and Graham Greene, who disagreed with his rather formalist view of the novel. Amongst his other works are: Samuel Pepys (1909), A Book of English Prose (1913) and Shades of Eton (1929).
The Rose Metal Press Field Guide to Prose Poetry
Poetry. Literary Criticism. A wide-ranging gathering of 34 brief essays and 66 prose poems by distinguished practitioners, THE ROSE METAL PRESS FIELD GUIDE TO PROSE POETRY is as personal and provocative, accessible and idiosyncratic as the genre itself. The essayists discuss their craft, influences, and experiences, all while pondering larger questions: What is prose poetry? Why write prose poems? With its pioneering introduction, this collection provides a history of the development of the prose poem up to its current widespread appeal. Half critical study and half anthology, THE FIELD GUIDE TO PROSE POETRY is a not-to-be-missed companion for readers and writers of poetry, as well as students and teachers of creative writing.
The Prose of Things
Publisher description
Collected Prose
The prose writings of Charles Olson (1910–1970) have had a far-reaching and continuing impact on post-World War II American poetics. Olson's theories, which made explicit the principles of his own poetics and those of the Black Mountain poets, were instrumental in defining the sense of the postmodern in poetry and form the basis of most postwar free verse. The Collected Prose brings together in one volume the works published for the most part between 1946 and 1969, many of which are now out of print. A valuable companion to editions of Olson's poetry, the book backgrounds the poetics, preoccupations, and fascinations that underpin his great poems. Included are Call Me Ishmael, a classic of...
Prose Poetry
An engaging and authoritative introduction to an increasingly important and popular literary genre Prose Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent som...
Polishing Your Prose
This singular book illustrates how to edit a piece of prose and enhance its clarity of thought and felicity of style. The authors first present ten principles of effective composition, and then scrutinize three extended paragraphs, suggesting with remarkable specificity how to improve them. The volume also offers challenging practice questions, as well as two finished essays, one serious and one humorous, that demonstrate how attention to sound mechanics need not result in mechanical writing. Steven M. Cahn and Victor L. Cahn help readers deploy a host of corrective strategies, such as avoiding jargon, bombast, and redundancy; varying sentence structure; paring the use of adjectives and adverbs; properly deploying phrases and clauses; and refining an argument. Here is a book for all who seek to increase their facility in written communication.
Prose
Yves Bonnefoy (1923-2016), a major poet, was equally a seminal essayist and thinker. This second and final volume of the Yves Bonnefoy Reader, contains what he regarded as his foundational essays, as well as a generous selection of essays from all periods translated into English for the first time. Subjects include comparative French and English poetics, Shakespeare's theatre, the paintings of Piero della Francesca and Poussin, the sculpture of Bernini, Mozart's operas, a re-assessment of Rimbaud, the impact of photography on art, and much more. The range is broad, but the metaphysical challenge is the same: to affirm presence, and finitude, against all forms of life-sapping conceptual thought. Language may have become suspect, but these essays affirm the 'project of hope' that was Bonnefoy's from the outset. A range of translators contributes, from the editors whose work on Bonnefoy is celebrated and of long standing, to Iain Bamforth, Michael Bishop, Hilary Davies, Jennie Feldman, Emily Grosholz, Mark Hutchinson, Steven Jaron, Viviane Lowe, Hoyt Rogers, John Taylor and Ahren Warner.
War Prose
Ford Madox Ford's post-war masterpiece, Parade's End, is recognised as one of the great British novels about the First World War. This selection from his other extensive writings about the war, published and unpublished, sheds light on the tetralogy. It includes reminiscences, an unfinished novel, stories and excerpts from letters. Ford was in his forties when he enlisted: this made him one of the few writers of his maturity to fight on the Western Front. His experience of combat was limited, but he was in the Battle of the Somme, was often under bombardment, and suffered from shell-shock. His largely psychological response to the war anticipates the recent renewal of interest in trauma and shell-shock (as, for example, in Pat Barker's Ghost Road trilogy). This book provides important testimony by one of the best writers of his generation.
Thinking Through Style
What is 'style', and how does it relate to thought in language? It has often been treated as something merely linguistic, independent of thought, ornamental; stylishness for its own sake. Or else it has been said to subserve thought, by mimicking, delineating, or heightening ideas that are already expressed in the words. This ambitious and timely book explores a third, more radical possibility in which style operates as a verbal mode of thinking through. Rather than figure thought as primary and pre-verbal, and language as a secondary delivery system, style is conceived here as having the capacity to clarify or generate thinking. The book's generic focus is on non-fiction prose, and it looks...
Prose of the World
Everyday life in the far outposts of empire can be static, empty of the excitement of progress. A pervading sense of banality and boredom are, therefore, common elements of the daily experience for people living on the colonial periphery. Saikat Majumdar suggests that this impoverished affective experience of colonial modernity significantly shapes the innovative aesthetics of modernist fiction. Prose of the World explores the global life of this narrative aesthetic, from late-colonial modernism to the present day, focusing on a writer each from Ireland, New Zealand, South Africa, and India. Ranging from James Joyce's deflated epiphanies to Amit Chaudhuri's disavowal of the grand spectacle o...
