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Just Assassins
Just Assassins examines terrorism as it's manifested in Russian culture past and present, with essays devoted to Russian literature, film, and theater; historical narrative; and even amateur memoir, songs, and poetry posted on the Internet. Along with editor Anthony Anemone's introduction, these essays chart the evolution of modern political terrorism in Russia, from the Decembrist uprising to the horrific school siege in Beslan in 2004, showing how Russia's cultural engagement with its legacy of terrorism speaks to the wider world.
Criminals, Nazis, and Islamists
In Criminals, Nazis, and Islamists, Vera Mironova examines conflicts and cooperation between inmates in male prisons in the former Soviet Union. She begins by focusing on the earliest prisoner groups, in particular the Vory criminal organization, which began in the 1930s. The Vory were able to develop rules, norms, and unique criminal ideology to ensure their monopoly in prison internal governance. Not only did they establish control over inmates, the Vory also successfully stood up against prison authorities to make inmates life behind bars as comfortable as possible, and as a consequence ensured its own survival in power. Mironova also explains how the Vory uses different methods, from str...
The Preobrazhensky Papers
Historians generally recognise E.A. Preobrazhensky as the most famous Soviet economist of the 1920s. English-language readers know him best as author of The New Economics and co-author (with N.I. Bukharin ) of The ABC of Communism. The documents in this volume, many newly discovered and almost all translated into English for the first time, reveal a Preobrazhensky previously unknown, whose interests ranged far beyond economics to include not only party debates and issues affecting the lives of workers and peasants, but also philosophy, world events, and Russian history, culture and politics. Including moments of triumph and tragedy, they tell an intimate story of political awakening and of commitment to socialist revolution as the path to human dignity.
Baudelaire in Song
Why do we find it hard to explain what happens when words are set to music? This study looks at the kind of language we use to describe word/music relations, both in the academic literature and in manuals for singers or programme notes prepared by professional musicians. Helen Abbott's critique of word/music relations interrogates overlaps emerging from a range of academic disciplines including translation theory, adaptation theory, word/music theory, as well as critical musicology, metricometrie, and cognitive neuroscience. It also draws on other resources-whether adhesion science or financial modelling-to inform a new approach to analysing song in a model proposed here as the assemblage mo...
Written in Blood
A fundamentally new interpretation of the emergence of modern terrorism, arguing that it formed in the Russian literary imagination well before any shot was fired or bomb exploded.
