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From President Nixon's historic visit to China in 1972 to the aftermath of the Tiananmen tragedy, this book examines the changing perceptions of the United States articulated by China's "America Watchers," whose occupation is to interpret the "beautiful imperialist" for China's elite and public. While other studies have looked at the behavioral history of U.S.-China relations, this is the first to probe the perceptual dimension.
The Silk Road and Cultural Exchanges Between East and West, originally written in Chinese by Rong Xinjiang and now translated into English, provides insights into previously unresolved issues concerning the interactions among the societies, economies, religions and cultures of the “Western Regions”, and beyond, during the first millennium.
Argues that Qing China was not just a continental empire, but a maritime power protecting its interests at sea.
The early-twentieth-century essayist Zhu Ziqing once wrote that he had only to mention the name of his hometown of Yangzhou to someone in Beijing and the person would respond, "A fine place! A fine place!" Yangzhou was indeed one of the great cities of late imperial China, and its name carries rich historical and cultural resonances. Even today Yangzhou continues to evoke images of artists, men of letters, great merchant families, scenic waterways, an urban environment of considerable grace and charm, and a history imbued with color and romance. This book is in some ways a biography of a city that acquired a personality, even a gender, and became an actor in its own history. Yangzhou invites...
In October 2014 about thirty scholars from Asia and Europe came together for a conference to discuss different kinds of sources for the research on Central Asia. From museum collections and ancient manuscripts to modern newspapers and pulp fiction and the wind horses flying against the blue sky of Mongolia there was a wide range of topics. Modern data processing and data management and the problems of handling five different languages and scripts for a dictionary project were leading us into the modern digital age. The dominating theme of the whole conference was the importance of collections of source material found in libraries and archives, their preservation and expansion for future generations of scholars. Some of the finest presentations were selected for this volume and are now published for a wider audience.
China’s late-imperial history has been framed as a long coda of decline, played out during the Qing dynasty. Reappraising this narrative, Stephen Halsey traces the origins of China’s current great-power status to this so-called decadent era, when threats of war with European and Japanese empirestriggered innovative state-building and statecraft.
Offering a fresh analysis of late imperial China, this cutting-edge book revisits the roles played by merchant networks, economic institutions, and business practices in the divergence between Europe and China during the trade revolution.
In examining the key merchant group in late imperial China this book provides a framework for understanding China's path to modernity.
This book is a historiographical study of the economic history of the Qing dynasty that systematically examines the research paradigms underlying the range of historical studies conducted over the past century. In reviewing historical studies of the economic history of the Qing dynasty from an epistemological and methodological perspective, the book explores how this research area emerged and developed and explores the three major paradigms that dominate the field: the revolutionary historical paradigm based on productive relations; the modernization paradigm centring on productivity and the Chinese-centric approach that seeks to understand the internal momentum of economic development. It is shown that shifts in paradigms derive not only from the linear derivation of academic ideas but are also closely related to wider changes in society and social discourse. Hence, the author proposes an approach that studies economic and social history with an emphasis on social practice, shedding light on a better understanding of the direction of China’s economic history. The title will benefit scholars and students interested in economic history and modern Chinese history.
In this book, Yan Geng examines Mao’s image from the perspective of its producers, focusing on four artists, chosen for both the diverse media they worked in and their diverse backgrounds. The book suggests an alternative perspective on the making of propaganda not only as a politically themed representation but also as an expression of artists’ subjectivities and their roles as pivotal agents in the transition of modern Chinese art history. Mao’s Image: Artists and China’s 1949 Transition demonstrates how artists portrayed Mao as the nation’s leader during the early People’s Republic and what such images reveal about Chinese artists’ experience during the Communist takeover of the country.