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Philosophy & this Actual World
Academic philosophy has become so technical and inbred that it often fails to connect with the questions and concerns of educated nonspecialists. Martin Benjamin aims to bridge this gap. Presupposing little or no formal background, Philosophy & This Actual World addresses general questions of knowledge, reality, mind, will, and ethics, as well as more specific questions about moral pluralism, assisted suicide, the nature of death, and life's meaning. At the same time, it incorporates the advances of academic philosophers like Wittgenstein, Rorty, Putnam, and Rawls, making it equally as valuable to the scholar as to the philosophically uninitiated.
Artists, Intellectuals, and World War II
Sixty years ago, at the height of World War II, an extraordinary series of gatherings took place at Mount Holyoke College in western Massachusetts. During the summers of 1942-1944, leading European figures in the arts and sciences met at the college with their American counterparts for urgent conversations about the future of human civilization in a precarious world. Two Sorbonne professors, the distinguished medievalist Gustave Cohen and the existentialist philosopher Jean Wahl, organized these Pontigny sessions, named after an abbey in Burgundy, where similar symposia had been held in the decades before the war. Among the participants - many of whom were Jewish or had Jewish backgrounds - ...
Proust, a Jewish Way
Marcel Proust once wrote, “There is no longer anybody, not even myself, since I cannot leave my bed, who will go along the Rue du Repos to visit the little Jewish cemetery where my grandfather, following a custom that he never understood, went for so many years to lay a stone on his parents’ grave.” Investigating the origin and significance of this statement, Antoine Compagnon offers new insight into the great author’s underappreciated Jewish side. Compagnon traces Proust’s ties to the French Jewish community, examining his relations with his mother’s successful and assimilated family, the Weils. He explores how French Jews read and responded to Proust’s masterpiece In Search o...
Between Two Armies
Epic poetry depicts single combat between champions as a substitute for pitched battle. By analyzing poetic representations of warfare, this study reconstructs the circumstances under which the duel emerges as a mechanism for avoiding catastrophic battlefield losses. Thus the duel proves to be the pivotal element in a complex system of practices and institutions that define 'epic culture'. Offering new insights into the Nibelungenlied, Beowulf, the Iliad and Odyssey, 'Hildebrandslied', and the Bible, this volume will appeal particularly to medievalists, classicists, historians, and cultural theorists interested in epic poetry, ancient warfare, and Dark Age culture.
Origins of the Other
In Origins of the Other, Moyn offers new readings of the work of a host of crucial thinkers, such as Hannah Arendt, Karl Barth, Karl Lowith, Gabriel Marcel, Franz Rosenzweig, Jean-Paul Sartre, and Jean Wahl, who help explain why Levinas's thought evolved as it did."--Jacket.
Human Existence and Transcendence
William C. Hackett’s English translation of Jean Wahl’s Existence humaine et transcendence (1944) brings back to life an all-but-forgotten book that provocatively explores the philosophical concept of transcendence. Based on what Emmanuel Levinas called “Wahl’s famous lecture” from 1937, Existence humaine et transcendence captured a watershed moment of European philosophy. Included in the book are Wahl's remarkable original lecture and the debate that ensued, with significant contributions by Gabriel Marcel and Nicolai Berdyaev, as well as letters submitted on the occasion by Heidegger, Levinas, Jaspers, and other famous figures from that era. Concerned above all with the ineradica...
Homer, Updated Edition
Presents a collection of eight critical essays on the works of Homer.
Baudelaire's Bitter Metaphysics
Baudelaire’s Bitter Metaphysics: Anti-Nihilist Readings by Fondane, Benjamin, and Sartre reconstructs a philosophical trialogue that might have been expected to take place between Benjamin Fondane, Walter Benjamin, and Jean-Paul Sartre over their philosophical readings of Charles Baudelaire, an exchange preempted by the untimely deaths of two of the interlocutors during the Nazi holocaust. Why did three of Europe’s sharpest minds respond to the terror of 1933-45 by writing about a long-dead poet? Aaron Brice Cummings argues that Fondane, Benjamin, and Sartre turned to the poet of nihilism’s abyss because they recognized a fact of cultural history that remains relevant today: until sometime in the 2080s, the literary world will have to confront (even if to deny) the two-century window forecast by Nietzsche as the age of cultural and existential nihilism. Accordingly, the author examines the bitter metaphysics latent in Baudelaire’s motifs of the abyss, clocks, brutes, streets, and bored dandies. In so doing, this book confronts the nothingness which modern life encounters in the heart of art, ethics, ideality, time, memory, history, urban life, and religion.
Volume 18, Tome IV: Kierkegaard Secondary Literature
Providing book reviews of some of the leading monographic studies in the Kierkegaard secondary literature, this volume aims to assist the community of scholars in becoming familiar with the works that they have not read for themselves, thus offering them a comprehensive survey of works that have played a more or less significant role in the research. In addition it tries to make accessible many works in the Kierkegaard secondary literature that are written in different languages.The six tomes of the present volume present reviews of works written in Catalan, Chinese, Czech, Danish, Dutch, English, Finnish, French, Galician, German, Greek, Hebrew, Hungarian, Italian, Japanese, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, and Swedish.
Art and Emancipation
Across a powerfully wide-ranging set of themes, theoretical registers and historical examples, John Roberts analyses the key problems that continue to confront art after conceptual art, in the light of art’s longstanding relationship to market and institution the commodity and mass culture: namely, artistic labour and technology, modernity and the ‘new’, art and negation, identity and subjectivity, agency and audience, form and value. In these terms, the book provides a rigorous and ambitious, examination of the limits and possibilities of art’s contribution to emancipatory discourse and practice.
