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Women and Religion in the African Diaspora
This landmark collection of newly commissioned essays explores how diverse women of African descent have practiced religion as part of the work of their ordinary and sometimes extraordinary lives. By examining women from North America, the Caribbean, Brazil, and Africa, the contributors identify the patterns that emerge as women, religion, and diaspora intersect, mapping fresh approaches to this emergent field of inquiry. The volume focuses on issues of history, tradition, and the authenticity of African-derived spiritual practices in a variety of contexts, including those where memories of suffering remain fresh and powerful. The contributors discuss matters of power and leadership and of religious expressions outside of institutional settings. The essays study women of Christian denominations, African and Afro-Caribbean traditions, and Islam, addressing their roles as spiritual leaders, artists and musicians, preachers, and participants in bible-study groups. This volume's transnational mixture, along with its use of creative analytical approaches, challenges existing paradigms and summons new models for studying women, religions, and diasporic shiftings across time and space.
A Refuge in Thunder
" An important] detailing of the development and evolution of a major institution of the African Diaspora and] of Brazilian and Afro-Brazilian identity." --Sheila S. Walker The Afro-Brazilian religion Candombl has long been recognized as an extraordinary resource of African tradition, values, and identity among its adherents in Bahia, Brazil. Outlawed and persecuted in the late colonial and imperial period, Candombl nevertheless developed as one of the major religious expressions of the Afro-Atlantic diaspora. Drawing principally on primary sources, such as police archives, Rachel E. Harding describes the development of the religion as an "alternative" space in which subjugated and enslaved blacks could gain a sense of individual and collective identity in opposition to the subaltern status imposed upon them by the dominant society.
Remnants
An activist influential in the civil rights movement, Rosemarie Freeney Harding’s spirituality blended many traditions, including southern African American mysticism, Anabaptist Christianity, Tibetan Buddhism, and Afro-Brazilian Candomblé. Remnants, a multigenre memoir, demonstrates how Freeney Harding's spiritual life and social justice activism were integral to the instincts of mothering, healing, and community-building. Following Freeney Harding’s death in 2004, her daughter Rachel finished this decade-long collaboration, using recorded interviews, memories of her mother, and her mother's journal entries, fiction, and previously published essays.
Deeper Shades of Purple
Womanist approaches to the study of religion and society have contributed much to our understanding of Black religious life, activism, and women's liberation. This volume explores the achievements of this movement, and evaluates some of the leading voices and different perspectives within this field.
Deeper Shades of Purple
Womanist approaches to the study of religion and society have contributed much to our understanding of Black religious life, activism, and women's liberation. This volume explores the achievements of this movement, and evaluates some of the leading voices and different perspectives within this field.
Being La Dominicana
Rachel Afi Quinn investigates how visual media portray Dominican women and how women represent themselves in their own creative endeavors in response to existing stereotypes. Delving into the dynamic realities and uniquely racialized gendered experiences of women in Santo Domingo, Quinn reveals the way racial ambiguity and color hierarchy work to shape experiences of identity and subjectivity in the Dominican Republic. She merges analyses of context and interviews with young Dominican women to offer rare insights into a Caribbean society in which the tourist industry and popular media reward, and rely upon, the ability of Dominican women to transform themselves to perform gender, race, and class. Engaging and astute, Being La Dominicana reveals the little-studied world of today's young Dominican women and what their personal stories and transnational experiences can tell us about the larger neoliberal world.
With This Root about My Person
Charles H. Long's groundbreaking works on Africana religious studies serve as the backdrop to With This Root about My Person. The volume features twenty-six essays by a diverse group of students and scholars of Long. Revitalizing an interpretive framework rooted in the Chicago tradition, the essays in this volume vigorously debate the nature of religions in the Americas. In doing so they wrestle with the foundations of the study of religion that emerged out of the European Enlightenment, they engage the discipline's entrenchment in the conquest of the Americas, and they grapple with the field's legacy of colonialism. The book demonstrates tremendous breadth and depth of scope in its skillful comparative work on colonialism, which links the religions of the Americas, Melanesia, and Africa. This seminal work is an important addition to the Religions of the Americas Series and a valuable contribution to the field to which Charles H. Long has for so long been devoted.
The Cambridge History of the American Essay
From the country's beginning, essayists in the United States have used their prose to articulate the many ways their individuality has been shaped by the politics, social life, and culture of this place. The Cambridge History of the American Essay offers the fullest account to date of this diverse and complex history. From Puritan writings to essays by Indigenous authors, from Transcendentalist and Pragmatist texts to Harlem Renaissance essays, from New Criticism to New Journalism: The story of the American essay is told here, beginning in the early eighteenth century and ending with the vibrant, heterogeneous scene of contemporary essayistic writing. The essay in the US has taken many forms: nature writing, travel writing, the genteel tradition, literary criticism, hybrid genres such as the essay film and the photo essay. Across genres and identities, this volume offers a stirring account of American essayism into the twenty-first century.
We Pursue Our Magic
Drawing on the collected archives of distinguished twentieth-century Black woman writers such as Lucille Clifton, Audre Lorde, Toni Cade Bambara, Lorraine Hansberry, and others, Marina Magloire traces a new history of Black feminist thought in relation to Afro-diasporic religion. Beginning in the 1930s with the pathbreaking ethnographic work of Katherine Dunham and Zora Neale Hurston in Haiti and ending with the present-day popularity of Afro-diasporic spiritual practices among Black women, she offers an alternative genealogy of Black feminism, characterized by its desire to reconnect with ancestrally centered religions like Vodou. Magloire reveals the tension, discomfort, and doubt at the h...
A Master Class on Being Human
A conversation between 2 eminent Black thinkers on how to work together to make the world a better place despite deep religious differences Brad Braxton and Anthony Pinn represent two traditions—Christianity and Secular Humanism respectively—that have for centuries existed in bitter opposition. For too long, people with different worldviews have disparaged and harmed one another. Instead of fighting each other, Braxton and Pinn talk with, listen to, and learn from one another. Their wide-ranging conversation demonstrates the possibility of fruitful exchange that accounts for—rather than masks—their differences. Written amid the Covid-19 pandemic, threats to our democracy, and nationa...
