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The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
Deutschland, 1952: Zwei Frauen mit Vergangenheit, ein geheimer Auftrag Rosa Silbermann reist mit einem geheimen Auftrag in das Nobelhotel Bühlerhöhe. Sie soll Bundeskanzler Konrad Adenauer schützen. Rosa ist in den dreißiger Jahren aus Köln nach Palästina emigriert und arbeitet für den israelischen Geheimdienst. Ihre Gegenspielerin ist die misstrauische Hausdame Sophie Reisacher, die ihre Heimatstadt Straßburg verlassen musste und für den gesellschaftlichen Aufstieg alles geben würde. Rosa und Sophie wissen, was es heißt, wenn ein ganzes Land neu beginnen will. Beide verfolgen ihre eigenen Pläne. Vor dem Hintergrund der jungen Bundesrepublik erzählt Brigitte Glaser eine spannende Geschichte, die auf wahren historischen Ereignissen beruht. "Selten wurde so spannend und sprachlich präzise über die Gründungszeit der Bundesrepublik geschrieben." Verena Hagedorn, Barbara
Young Tom Afflick has never felt so alone. His parents have split up and his mother has relocated him, hundreds of miles away from his home in Manchester to the unfamiliar city of Edinburgh. At his new school, Tom is simply known as 'The Manc' - a blow-in, an outsider. On a routine school trip to the historic site of Mary King's Close, Tom follows the ghostly figure of a young girl - only to find himself transported back in time to 1645, the year of the Edinburgh plague. Apprenticed against his will to a violent plague doctor, Tom needs to use all of his modern-day skills in order to survive.
Dreaming of Michelangelo is the first book-length study to explore the intellectual and cultural affinities between modern Judaism and the life and work of Michelangelo Buonarroti. It argues that Jewish intellectuals found themselves in the image of Michelangelo as an "unrequited lover" whose work expressed loneliness and a longing for humanity's response. The modern Jewish imagination thus became consciously idolatrous. Writers brought to life—literally—Michelangelo's sculptures, seeing in them their own worldly and emotional struggles. The Moses statue in particular became an archetype of Jewish liberation politics as well as a central focus of Jewish aesthetics. And such affinities extended beyond sculpture: Jewish visitors to the Sistine Chapel reinterpreted the ceiling as a manifesto of prophetic socialism, devoid of its Christian elements. According to Biemann, the phenomenon of Jewish self-recognition in Michelangelo's work offered an alternative to the failed promises of the German enlightenment. Through this unexpected discovery, he rethinks German Jewish history and its connections to Italy, the Mediterranean, and the art of the Renaissance.
Challenges the accepted view that an oppressive Prussian state cast a shadow on the development of civil society and sheds light on a little-known historical reality in which weak Hohenzollern monarchs - and a still weaker Prussian bureaucracy - were confronted with prosperous, fearless, and argumentative Prussian burghers.