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Sergei Rachmaninoff
Throughout his career as composer, conductor, and pianist, Sergei Rachmaninoff (1873-1943) was an intensely private individual. When Bertensson and Leyda's 1956 biography appeared, it lifted the veil of secrecy on several areas of Rachmaninoff's life, especially concerning the genesis of his compositions and how he was affected by their critical reception.These pages are fabulously peopled. Here we find the Tchaikovsky brothers, Rimsky-Korsakov, Scriabin, Glazunov, and Stravinsky, as well as Chekhov, Stanislavsky, Chaliapin, Fokine, Hofmann, and Horowitz.This biography reflects direct consultation with a number of people who knew Rachmaninoff, worked with him, and corresponded with him. Even with the availabilty of such sources and full access to the Rachmaninoff Archive at the Library of Congress, Bertensson, Leyda, and Satina (Rachmaninoff's cousin and sister-in-law) were tireless in their pursuit of privately held documents, particularly correspondence. The wonderfully engaging product of their labours masterfully incorporates primary materials into the narrative. Almost half a century after it first appeared, this volume remains essential reading.
Rachmaninoff's Cape
New York City in 1949. A poor, Jewish, eight-year old boy named George, who has shown remarkable talent on the piano, accidentally breaks his rich friend's cello. The mother, Evelyn Amster, a former aspiring concert pianist, makes light of the accident. The eight-year old boy grows up to become a professional academic historian, and develops a keen friendship with his friend's mother, a generation older than he is. But multiple tragedies alter her life course. This memoir describes her despair and conflicts, especially her strange infatuation with composer-pianist Sergei Rachmaninoff (1873-1943). It also reconstructs Rachmaninoff's life by offering a new way of interpreting it. Rachmaninoff's Cape captures the musical worlds of Silver Age Russia at the end of the nineteenth century and New York City in the twentieth. The author himself was immersed in this musical culture in New York after World War Two.
A Catalogue of the Compositions of S. Rachmaninoff
Fortegnelse over musikalske værker af den russiske komponist Sergej Rachmaninov (1873-1943), heriblandt omskrivninger af andre komponisters værker
Rachmaninoff's Complete Songs
Sergei Rachmaninoff—the last great Russian romantic and arguably the finest pianist of the late 19th and early 20th centuries—wrote 83 songs, which are performed and beloved throughout the world. Like German Lieder and French mélodies, the songs were composed for one singer, accompanied by a piano. In this complete collection, Richard D. Sylvester provides English translations of the songs, along with accurate transliterations of the original texts and detailed commentary. Since Rachmaninoff viewed these "romances" primarily as performances and painstakingly annotated the scores, this volume will be especially valuable for students, scholars, and practitioners of voice and piano.
Rachmaninoff
A comprehensive biography of the virtuoso pianist and legendary composer of piano symphonies
Rachmaninoff
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Sergei Rachmaninoff
Valeria Z. Nollan’s biography of perhaps the finest pianist of the twentieth century plunges readers into Rachmaninoff’s complex inner world. Sergei Rachmaninoff: Cross Rhythms of the Soul is the first biography of Rachmaninoff in English that presents him in the fullness of his Russian identity. As someone whose own life in Russian emigration ran in parallel ways to Rachmaninoff’s own—and whose meetings with the composer’s grandson in Switzerland informed her work—Nollan brings important cultural insights into her observations of the activities of this generation of creative artists. She also traces the intricacies of Rachmaninoff’s relations with the women closest to him—whose imprints are palpable in his compositions—and introduces a mystery woman whose existence challenges our established narrative of his life.
Rachmaninoff and His World
A biography of composer Sergei Rachmaninoff, published in collaboration with the Bard Music Festival. One of the most popular classical composers of all time, Sergei Rachmaninoff (1873–1943) has often been dismissed by critics as a conservative, nostalgic holdover of the nineteenth century and a composer fundamentally hostile to musical modernism. The original essays collected here show how he was more responsive to aspects of contemporary musical life than is often thought, and how his deeply felt sense of Russianness coexisted with an appreciation of American and European culture. In particular, the essays document his involvement with intellectual and artistic circles in prerevolutionar...
Sergei Rachmaninoff
Throughout his career as composer, conductor, and pianist, Sergei Rachmaninoff (1873-1943) was an intensely private individual. When Bertensson and Leyda’s 1956 biography appeared, it lifted the veil of secrecy from several areas of Rachmaninoff’s life, especially concerning the genesis of his compositions and how their critical reception affected him. The authors consulted a number of people who knew Rachmaninoff, who worked with him, and who corresponded with him. Even with the availability of such sources and full access to the Rachmaninoff Archive at the Library of Congress, Bertensson and Leyda were tireless in their pursuit of privately held documents, particularly correspondence. The wonderfully engaging product of their labors masterfully incorporates primary materials into the narrative. Almost half a century after it first appeared, this volume remains essential reading. Sergei Bertensson, who knew Rachmaninoff, published other works on music and film, often with a documentary emphasis.
Sergei Rachmaninoff
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