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Historically, English-language readers have been great fans of European literature, and names like Franz Kafka, Gustave Flaubert, and Thomas Mann are so familiar we hardly think of them as foreign at all. What those writers brought to English-language literature was a wide variety of new ideas, styles, and ways of seeing the world. Yet times have changed, and how much do we even know about the richly diverse literature being written in Europe today? Best European Fiction 2010 is the inaugural installment of what will become an annual anthology of stories from across Europe. Edited by acclaimed Bosnian novelist and MacArthur “Genius-Award” winner Aleksandar Hemon, and with dozens of edito...
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Examines the interplay of artistic, political, and economic performance in the former Yugoslavia and reveals their inseparability
Yugoslavia's breakup in 1991, and the wars in Croatia, Bosnia and Kosovo that followed in its wake, have been widely blamed on Serbian nationalism. Most analyses have not examined this nationalism in the years before Slobodan Miloševićs' rise to power, when its principal articulators were dissident intellectuals. This book traces the trajectory of intellectual opposition to Serbian nationalism from its origins in the 1950s to its consolidation in the 1980s, arguing that the acceptance of Milošević's undemocratic approach to the national question undermined the intellectual opposition's ability to present a convincing political alternative and was crucial in allowing the regime to continue. -- book cover.
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Nick Miller argues in this provocative study that to comprehend Yugoslavia's collapse, we must examine the development and nature of Serbian nationalism, and the typical approaches will not suffice. Serbia's national movement of the 1980s and 1990s, Miller suggests, was not the product of an ancient, immutable, and aggressive Serbian national identity; nor was it an artificial creation of powerful political actors looking to capitalize on its mobilizing power. In examining the work of three influential Serbian intellectuals, Miller argues that cultural processes are too often ignored in favor of political ones; that Serbian intellectuals did work within a historical context, but that they we...
The modern society of consumption is a society of fashion. Fashion has extended its influence over various fields of social life and, together with taste, become central to our understanding of the inner dynamics of any modern society. The Sociology of Taste looks at the role of taste - or the aesthetic reflection - in society at large and in modern society in particular. Taking case studies from social life, for example eating and food culture, it illustrates the role of fashion in the formation of collective taste.