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Politics or Markets?
First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Tigers of a Different Stripe
In Tigers of a Different Stripe, ethnomusicologist Sydney Hutchinson examines a variety of music genres in the Dominician Republic, and its diasporic communities, to shed light on how gender is performed through music, especially merengue tipico, a traditional, accordion-based genre that has undergone great change since the 1960s. Hutchinson goes beyond looking at just the music itself, to how dancing and listening, as well as viewing and discussing music, all play a part in gender performance and construction. Dominican gender roles are usually defined by a binary understanding of gender that is at its worst sexist and patriarchal, with macho men and subservient women. Hutchinson shows how wrong this is in musical performance, where musicians like Rita Indiana bend both gender and genre. The discussion naturally expands to movement, migration, race, class, and notions of tradition and modernity. In the end, Tigers shows how music can either reinforce entrenched gender roles or help to open up possibilities by imagining new roles and identities for all."
Caribbean Modernist Architecture
In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art organised the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston, Jamaica. The goal was to encourage scholarly, curatorial and broader educational awareness. Topics covered included regional and international legacies, preservation, environmental sustainability and urban planning, as they relate to modernist architectural history and contemporary practice. The presenters were leading architects and architec...
Bachata and Dominican Identity / La bachata y la identidad dominicana
Bachata--a guitar-based romantic music that debuted in Santo Domingo's urban shantytowns in the 1960s--is today one of the hottest Latin genres. Still, fans and musicians have not forgotten the social stigma the genre carried for decades. This book interweaves bachata's history and development with the socio-political context of Dominican identity. The author argues that its early disfavor resulted from the political climate of its origins and ties between class and race, and proposes that its ultimate acceptance as a symbol of Dominican identity arose from its innovations, the growth of the lower class, and a devoted following among Dominican migrants. La bachata--una musica de guitarra que...
Masculinity after Trujillo
"Provides an insightful look at the persistent power of masculinism in Dominican post-dictatorship politics and literature."--Ignacio López-Calvo, author of God and Trujillo "The ideas about masculinization of power developed by Horn are important not only to Dominican scholarship but also to Caribbean and other Latin American students of the intersection of history, political power, and gendered practices and discourses."--Emilio Bejel, author of Gay Cuban Nation Any observer of Dominican political and literary discourse will quickly notice the prevalence of certain notions of hyper-masculinity. In this extraordinary work, Maja Horn argues that these gender conceptions became ingrained dur...
Caribbean and Atlantic Diaspora Dance
In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas,rumba, merengue, mambo, reggae, and zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican ladja, Trinidadian kalinda, and Cuban juego de maní. In drawing on scores of performers and consultants from the region as well as on her own professional dance experience and acumen, Daniel adeptly places Caribbean dance in the context of cultural and economic globalization, connecting local practices to transnational and global processes and emphasizing the important role of dance in critical regional tourism.
Caribbean Without Borders
One of the most salient issues in Caribbean studies is the region's linguistic and cultural fragmentation as a result of European colonization. More than five centuries later, the islands and American countries whose shores touch the Caribbean Sea still echo such maladies. The title of this book is a call towards unity, a unity that, in the words of Barbadian poet, historian and critic Kamau Brathwaite, "is submarine." In the past, nations' borders were established based on the distance a cannon ball was able to cover when fired from land out to sea. It is time to go beyond the cannon ball distances out into uncharted territories, beyond the canon, and, thus, beyond the cannon's range.This b...
The Struggle for Democratic Politics in the Dominican Republic
Over the past several decades, the Dominican Republic has experienced striking political stagnation in spite of dramatic socioeconomic transformations. In this work, Jonathan Hartlyn offers a new explanation for the country's political evolution, based on a broad comparative perspective. Hartlyn rejects cultural explanations unduly focused on legacies from the Spanish colonial era and structural explanations excessively centered on the lack of national autonomy. Instead, he highlights the independent impact of political and institutional factors and historical legacies, while also considering changes in Dominican society and the influence of the United States and other international forces. ...
On the Edge: Writing the Border between Haiti and the Dominican Republic
A literary study of the borderlands between Haiti and the Dominican Republic.
