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At the outset of this work I thought it possible that I might have to lay down my pen at the end of the fifth volume, but it is with con siderable pleasure I learn that my readers have been in great enough number and sufficiently satisfied with the work for my editor and myself to continue the enterprise and undertake a study of the fifteenth century, similar to that which has already appeared on the fourteenth. The spontaneous manifestations of sympathy that I have received from many different countries give me the impression that there exists a group of readers who will not be disappointed to hear of my intention to continue this history of Italian painting, at least until the end of the f...
Hagiography is a rich source for our knowledge of many aspects of medieval culture and tradition. The lives and miracles of the saints may be read on several levels, both as an expression of the dominant ideology and as a reflection of long-term themes in medieval society. The essays in this volume attempt to exploit the Latin hagiographical sources of the medieval West as means of illuminating our understanding of a variety of such themes: childhood and adolescence, elite and popular religion, sainthood and politics, the mechanism of canonisation, women in the church, dreams, visions and the concept of the miraculous, and the convergence of heresy, disbelief and piety.
Critic, arbiter of taste, renowned authority on Renaissance painting and oracle to millionaire art collectors, Bernard Berenson was the most formidable presence in the art world for more than thirty years. Four decades of his life are unfolded in this compelling book.
During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful than celebratory. In part, Renaissance art adjusted to the social and economic pressures with an art we may be hard pressed to recognize under that same rubric-an art not so much of perfected nature as simply artless. Granted, the heroic and epic mode of the Renaissance was that practiced most self-consciously and proudly. Yet it is one of the accomplishments of Renaissance art that heroic and epic subjects and style occasionally made way for less affirmative subjects and compositional norms, for improvisation away from the Vitruvian ideal. The limits of i...
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This collection brings together twelve selected papers given at the Second Triennial Congress of the International Courtly Literature Society. Because the courtly ethos is the central phenomenon marking medieval vernacular literature, it provides a theme that serves as an ideological guide through the later Middle Ages and on into the Renaissance and as a framework for the essays collected in this volume.
A leading figure in the Theosophical Society, Leadbeater was a prolific author, writing on subjects ranging from Buddhism, Masonic history and the origins of Christianity through to the power of thought and the fourth dimension. Leadbeater was also the force behind Annie Besant, the discoverer and educator if Krishnamurti, and became Presiding Bishop of the Liberal Catholic Church. For all his influence Charles Leadbeater remains largely unknown as a man. This biography, first published in 1982, dispels many of the mysteries surrounding his life, and Leadbeater emerges as neither evil degenerate or infallible saint, but as a complex and eccentric adventurer into the realm of the occult. This title will be of particular interest to students of history and theology.
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.