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A sociologist and pop-culture expert offers a balanced engagement of hip-hop and rap music, showing God's presence in the music and the message.
African Origins of Monotheism recasts an African knowledge of God in a new and original way. It aims to recapture concepts of God as originally reflected upon by pristine African religious thinkers. Muzorewa is seeking after the traditional African understandings of the Divine, which trace their origins back before the rise of Judaism, Christianity, and Islam. Monotheism, he maintains, is the ancient view of God, ubiquitous across the continent of Africa; indeed, monotheism comes "out of Africa." The book challenges the way that the idea of God has been manipulated by Eurocentric agendas, by colonizers, enslavers, and empire builders, all of whom were using God-talk to achieve their own personal ends. In African thinking, the God concept is guided by a sense of the presence of the all-pervasive and omnipresent God, which has instilled in the people a sense of respect for life at all costs. Thus, respect is not based on a commandment or on fear but on a propensity for affinity.
Sylvan examines the religious dimensions of popular music subcultures, charting the influence and religious aspects of popular music in mainstream culture today.
A photographic celebration of the love and relationships of queer people of color by a former New York Times multimedia journalist “Thank you, Jamal Jordan, for showing the world what true love looks like.”—Billy Porter Queer Love in Color features photographs and stories of couples and families across the United States and around the world. This singular, moving collection offers an intimate look at what it means to live at the intersections of queer and POC identities today, and honors an inclusive vision of love, affection, and family across the spectrum of gender, race, and age.
Hip-hop culture is experiencing a sea change today that has implications for evangelism, worship, and spiritual practices. Yet Christians have often failed to interpret this culture with sensitivity. Sociologist, preacher, pop-culture expert, and DJ Ralph Watkins understands that while there is room for a critique of mainstream hip-hop and culture, by listening more intently to the music's story listeners can hear a prophet crying out, sharing the pain of a generation that feels as though it hasn't been heard. His accessible, balanced engagement reveals what is inherently good and redeeming in hip-hop and rap music and uses that culture as a lens to open up the power of the Bible for ministry to a generation.
In this book, Africana biblical scholars argue that race, class, gender, and sexuality still matter for doing biblical interpretation/translation, centering the socio-political and cultural contexts of Africana peoples negotiating life, death, and hope in the age of #BLM, #Say...
At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content p...
Kwame Bediako was one of the great African theologians of his generation. Challenging the assumption that Christianity is a Western religion, he presented a non-Western foundation for theological reflection, expanded the Christian theological imagination, and offered a path forward for post-Christendom theologies. Kwame Bediako: African Theology for a World Christianity is the first full-length introduction to Bediako’s theology. It engages Bediako’s central concerns with identity – specifically what it means to be African and Christian in the aftermath of the failures of colonialism – the relationship of theology and culture, and the need of indigenous expressions of Christian faith for the health of theological reflection worldwide. Challenging stereotypical perceptions of African Christianity and pressing readers to interrogate their own theological convictions in light of cultural and societal presuppositions, this book examines the gift of Bediako’s work not just for Africa but for the world.
A sociologist and pop-culture expert offers a balanced engagement of hip-hop and rap music, showing God's presence in the music and the message.
Place of publication transcribed from publisher's web site.