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Ada Karmi-Melamede and Ram Karmi, Supreme Court of Israel, Jerusalem
This work showcases the design and construction of the new Israeli Supreme Court in Jerusalem by Ada Karmi-Melamede and Ram Karmi.
Supreme Court Building, Jerusalem
With photographs, sketches and words, this title traces the evolution of Jerusalem's Supreme Court Building, designed by two Israeli architects, Ada Karmi-Melamede and Ram Karmi, and opened in 1991.
Ma(r)king Ground
A personal account of three major buildings by the famed Israeli architect, Ada Karmi-Melamede: the Supreme Court Building in Jerusalem, co-designed by her brother Ram Karmi (1993); the Open University Campus in Tel Aviv (2004); and the Visitors Pavilion at Ramat Hanadiv, a nature park and memorial garden dedicated to Baron Edmond de Rothschild, near Zikhron Yaakov. These buildings are notable for their human scale, which is an essential component of democratic spaces, for their careful calibration of components, designed to be experienced through movement, as envisaged by Le Corbusier with his promenade architecturale, and for their sensitivity to the surrounding terrain, interacting with the landscape and not sitting on top of it. Lavishly illustrated with photography captured under sunny skies, and accompanied by her own preliminary sketches, plans and elevations, Ada Karmi-Melamede provides an illuminating insight into her work, which will be of particular interest to students of architecture.
Shoah Presence: Architectural Representations of the Holocaust
Through the analysis of several commemorative acts in space, matter and image, namely museums and memorials, this book reflects on the ways in which architecture as a discipline, a practice and a discourse represents the Holocaust. In doing so, it problematises how one presents an extreme historical case in a contemporary context and integrates the historical into actuality. By examining several cases, the book defines the issues faced by various architects who dealt with this topic and discusses their separate and distinctive approaches. In each case, it analyses the ways in which the cultural and political contexts of commemoration led to a different interpretation of the condition. Focusi...
The Women Who Changed Architecture
A visual and global chronicle of the triumphs, challenges, and impact of over 100 women in architecture, from early practitioners to contemporary leaders. Marion Mahony Griffin passed the architectural licensure exam in 1898 and created exquisite drawings that buoyed the reputation of Frank Lloyd Wright. Her story is one of the many told in The Women Who Changed Architecture, which sets the record straight on the transformative impact women have made on architecture. With in-depth profiles and stunning images, this is the most comprehensive look at women in architecture around the world, from the nineteenth century to today. Discover contemporary leaders, like MacArthur Fellow Jeanne Gang, spearheading sustainable design initiatives, reimagining cities as equitable spaces, and directing architecture schools. An essential read for architecture students, architects, and anyone interested in how buildings are created and the history behind them.
Splintering Towers of Babel
Splintering Towers of Babel focuses on and redefines soft infrastructures and critical infrastructure projects. It explores key issues in contemporary urban studies including town planning histories, architecture, heritage, colonialism and postcolonialism, philosophy, and ethics. The book combines transdisciplinary perspectives on the key historical, philosophical, and political issues associated with urban experiences, built forms, and infrastructure networks. It explores uneven dimensions in contemporary urbanisms and develops spatial phenomenological thinking with reference to the northern and southern hemispheres. This book connects the past and the present, in addition to Western and global South geographies, with a focus on sub-Saharan Africa. Its main contribution is to broaden readers' understanding of infrastructure through the lens of the humanities and to engage with political, poetical, and ethical perspectives. This book is tailored to scholars working in the fields of urban planning, urban geography, architectural history, urban design, infrastructure studies, colonial and postcolonial studies, African studies, and philosophy.
The Jewish-Arab City
Mixed city is a term widely used in Israel to describe areas occupied by both Jewish and Arab communities. In a critical examination of such cities, the author shows how a clear spatial and mental division exists between Arabs and Jews in Israel, and how the occurrence of such communities is both exceptional and involuntary. Looking at Jewish-Arab relations in Israel in the context of the built environment, it is argued that there are complex links between socio-political relations and the production of contested urban space. The case study of one particular Jewish-Arab "mixed city", the city of Lod, is used as the platform for wider theoretical discussion and political analysis. This city h...
Design through Dialogue
Completed projects receive more public attention than the process of their creation and so the myth that architects design buildings alone lives on. In fact, architects work with a great many others and the relationships that develop, particularly with clients, have a significant impact on design. Design through Dialogue explores the relationship between client and architect through the lens of four overlapping activities that occur during any project: relating, talking, exploring and transforming. Cases of design and collaboration range from smaller scale retail, residential and educational projects in the US, Sweden, the UK and the Pacific Rim to large institutions, including Seattle’s Central Library, the National Museum of the American Indian in Washington DC, the Supreme Court in Jerusalem and the Museum of New Zealand. Material is taken from interviews with clients and architects and research in psychotherapy, group dynamics and design studies. Throughout the book aspects of process are linked to design outcomes to illustrate how architects and clients collaborate creatively.
Representing Justice
A remnant of the Renaissance : the transnational iconography of justice -- Civic space, the public square, and good governance -- Obedience : the judge as the loyal servant of the state -- Of eyes and ostriches -- Why eyes? : color, blindness, and impartiality -- Representations and abstractions : identity, politics, and rights -- From seventeenth-century town halls to twentieth-century courts -- A building and litigation boom in Twentieth-Century federal courts -- Late Twentieth-Century United States courts : monumentality, security, and eclectic imagery -- Monuments to the present and museums of the past : national courts (and prisons) -- Constructing regional rights -- Multi-jurisdictional premises : from peace to crimes -- From "rites" to "rights" -- Courts : in and out of sight, site, and cite -- An iconography for democratic adjudication.
The End of Tradition?
Rooted in real world observations, this book questions the concept of tradition - whether contemporary globalization will prove its demise or whether there is a process of simultaneous ending and renewing. In his introduction, Nezar Alsayyad discusses the meaning of the word 'tradition' and the current debates about the 'end of tradition'. Thereafter the book is divided into three parts. The three chapters in part I explore the inextricable link between 'tradition' and 'modern', revealing the geopolitical implications of this link. Part II looks at tradition as a process of invention and here the three chapters are all concerned with the making of landscapes and landscape myths, showing how the spectacle of history can be aestheticized and naturalized. Finally, Part III shows how traditionis a regime, programmed and policed and how it has been deployed, resisted, and reworked through hegemonic struggles that seek to create both built environments and citizen-subjects.
