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This book deals with the defiant resistance faced by Mughals from the Zamindars of Bengal for more than eighty years, the atrocities of the Nawabs of Bengal, and the false allegations on Nawab Siraj-ud-Daulah by the British. History, during the Mughal period, was recorded by royal courtiers who wrote about the Emperors and Governors, exalting their victories and achievements. Rarely were the resistance of the Zamindars of Bengal recorded, if at all mentioned. The British contorted history to suit their schemes, denigrating and deriding the people of this country to justify colonial rule. The history of India, as taught to us, is not always a true depiction. It is the history of the foreigners who came and ruled India. The history has been repeatedly dressed up to suit their requirements. Facts have been misrepresented, misinterpreted or deliberately suppressed to serve the purpose of the ruler. The author has tried to present the occurrences in Bengal during the Mughal period from their correct perspective, through extensive research and cross-studies of many historians, both Indian and foreign, cross-vetting the truth and actuality.
Constructs a history of an untouchable and heretical community, the Satnamis of Central India.
A New York Times Notable Book: “A ravishingly seductive novel . . . set in contemporary Kathmandu” (Elle). Ramchandra is a math teacher earning a low wage and living in a small apartment with his wife and two children. Moonlighting as a tutor, he engages in an illicit affair with one of his tutees, Malati, a beautiful, impoverished teenager, who is also a new mother. She provides for him what his wife, who comes from a privileged background, does not: desire, mystery, and a simpler life. Just as this Nepalese city struggles with the conflicts of change, Ramchandra must also learn to accommodate both tradition and his very modern desires, in this “gripping” novel by the Whiting Award...
Sita’s journey, from the lavish kingdom of Ayodhya to the forests of Chitrakoot, continues to be a source of inspiration even today. Revisit her story from the eyes of Maharani Sunity Devi who herself, was an educationist and women rights activist and explore its contemporary significance.
These ten essays culled from the five volumes of 'Subaltern Studies' aim to 'promote a systematic and informed discussion of subaltern themes in the field of South Asian studies, and thus help to rectify the elitist bias characteristic of much reserach and academic work in this particular area.'
“Rise Satyavadi Vasuprado, your life in the service of Sri Krishna has now begun...!” Bred in the cesspool of millennia old evil of Hindu caste disorder, feudal prejudices, and religious hatreds, die-hard Sri Krishna devotee, Trilokinath, through the power of Hindu Holy Scripture, injects molten steel into a gentle heart, and ripens, Vasuprado, an innocent, fun-loving boy, for a merciless pogrom. The story meanders through the twilight of colonial India and independence (1947) through the 20th Century and encapsulates the cauldron of simmering vengeful rancour and hate that is 21st Century India: Hindu hating, despising Hindu; Hindu hating despising Muslim; Muslim hating, despising Hindu, Christian, Buddhist, Sikh… “Even if a man of the vilest conduct worships me with undivided devotion, he should be reckoned as righteous for he has rightly resolved.” - Sri Krishna.
India’s global proximities derive in good measure from its struggle against British imperialism. In its efforts to become a nation, India turned modern in its own unusual way. At the heart of this metamorphosis was a "colourful cosmopolitanism," the unique manner in which India made the world its neighbourhood. The most creative thinkers and leaders of that period reimagined diverse horizons. They collaborated not only in widespread anti-colonial struggles but also in articulating the vision of alter-globalization, universalism, and cosmopolitanism. This book, in revealing this dimension, offers new and original interpretations of figures such as Kant, Tagore, Heidegger, Gandhi, Aurobindo, Gebser, Kosambi, Narayan, Ezekiel, and Spivak. It also analyses cultural and aesthetic phenomena, from the rasa theory to Bollywood cinema, explaining how Indian ideas, texts, and cultural expressions interacted with a wider world and contributed to the making of modern India.