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This volume contains fifteen Oowekyala Wakashan texts originally recorded at Rivers Inlet Village on the British Columbia coast with interlinear English translations and general comments on the language and culture.
This work is a history of the Native people of Fort Resolution, Northwest Territories from the beginning of the fur trade on Great Slave Lake in 1786 to 1972. Aboriginal culture provides a base for the historic changes discussed.
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Latin America is characterized by a uniquely rich history of cultural and racial mixtures known collectively as mestizaje. These mixtures reflect the influences of indigenous peoples from Latin America, Europeans, and Africans, and spawn a fascinating and often volatile blend of cultural practices and products. Yet no scholarly study to date has provided an articulate context for fully appreciating and exploring the profound effects of distinct local invocations of syncretism and hybridity. Rise and Fall of the Cosmic Race fills this void by charting the history of Latin America's experience of mestizaje through the prisms of literature, the visual and performing arts, social commentary, and...
Although scholars have long been aware of the crucial roles that gender plays in music, and vice versa, the contributors to this volume are among the first to systematically examine the interactions between the two. This book is also the first to explore the diverse, yet often strikingly similar, musics of the areas bordering the Mediterranean from comparative anthropological perspectives. From Spanish flamenco to Algerian raï, Greek rebetika to Turkish pop music, Sephardi and Berber songs to Egyptian belly dancers, the contributors cover an exceedingly wide range of geographic and musical territories. Individual essays examine musical behavior as representation, assertion, and sometimes tr...
This monograph consists of word and affix-lists, as well as grammatical observations, concerning the language of the Southern Labrador Inuit from 1694 to 1785. They were collected from written texts of this period and show that the language of these eighteenth century Inuit is almost identical with that of their contemporaries in the Eastern Canadian Arctic./Ce travail présente sous forme de listes de mots et d’affixes ainsi que de remarques grammaticales les données linguistiques continues dans les textes d’époque portant sur les Inuits du Labrador méridional, de 1694 à 1785. Il nous permet de constater que la langue inuit du18e siècle était, à peu de choses près, semblable à celle qui est parlée aujourd’hui dans l’Arctique oriental canadien.
Emphasizing stylistic analysis and historical development, this unique book is the first to examine all major non-Western music styles, from reggae and salsa to the popular musics of non-Western Europe, Asia, Africa, and the Middle East.
Made in Spain: Studies in Popular Music will serve as a comprehensive and rigorous introduction to the history, sociology and musicology of 20th century Spanish popular music. The volume will consist of 16 essays by leading scholars of Spanish music and will cover the major figures, styles and social contexts of pop music in Spain. Although all the contributors are Spanish, the essays will be expressly written for an international English-speaking audience. No knowledge of Spanish music or culture will be assumed. Each section will feature a brief introduction by the volume editors, while each essay will provide adequate context so readers understand why the figure or genre under discussion is of lasting significance to Spanish popular music. The book first presents a general description of the history and background of popular music, followed by essays organized into thematic sections.
A study of narratives told by female members of the Tagish and Tutchone of central and southern Yukon with particular emphasis on their cultural continuity, function during a period of significant change, and the insights they offer into traditional gender roles. Most important is the author’s revelation of the importance of context in understanding such stories.
First Published in 1997. The present volume contains references and descriptive annotations for 1,497 sources on North American Indian and Eskimo music. As conceived here, the subject encompasses works on dance, ritual, and other aspects of religion or culture related to music, and selected "classic" recordings have also been included. The coverage is equally broad in other respects, including writings in several different languages and spanning a chronological period from 1535 to 1995. The book is intended as a reference tool for researchers, teachers, and college students. With their needs in mind, the sources are arranged in ten sections by culture area, and the introduction includes a general history of research. Finally, there are also indices by author, tribe, and subject.