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Mysticism, Myth and Celtic Identity explores how the mythical and mystical past informs national imaginations. Building on notions of invented tradition and myths of the nation, it looks at the power of narrative and fiction to shape identity, with particular reference to the British and Celtic contexts. The authors consider how aspects of the past are reinterpreted or reimagined in a variety of ways to give coherence to desired national groupings, or groups aspiring to nationhood and its 'defence'. The coverage is unusually broad in its historical sweep, dealing with work from prehistory to the contemporary, with a particular emphasis on the period from the eighteenth century to the present...
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
An account of the emergence and development of white consciousness throughout American history. In The Making of White American Identity, Ron Eyerman provides an explanation for how whiteness has become a basis for collective identification and collective action in the United States. Drawing upon his previous work on the formation of African American identity, as well as cultural trauma theory, collective memory, and social movements, he reveals how and under what conditions such a collective identification emerges, as well as how the mobilization of collective action around an ideology of whiteness and white superiority. Eyerman explores how the American identity was, and is still being est...
In the context of the current explosion of interest in Gothic literature and popular culture, this interdisciplinary collection of essays explores for the first time the rich and long-standing relationship between war and the Gothic. Critics have described the global Seven Year’s War as the "crucible" from which the Gothic genre emerged in the eighteenth century. Since then, the Gothic has been a privileged mode for representing violence and extreme emotions and situations. Covering the period from the American Civil War to the War on Terror, this collection examines how the Gothic has provided writers an indispensable toolbox for narrating, critiquing, and representing real and fictional ...
This book analyses how Shakespeare is recreated in historical performance.
"A stimulating study of two of the finest soldier-authors in American literature, Just What War Is explores the Civil War writings of John William De Forest and Ambrose Bierce. Michael W. Schaefer argues that, among the many Civil War veterans who wrote memoirs, novels, and stories based on their own experiences in combat, De Forest and Bierce stand alone in their efforts to create an unromanticized portrayal of war in literature. While exploring issues of literary realism in general, Schaefer examines the struggle of these two major writers to represent the moral and human dimensions of combat."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A fascinating collection of primary sources on medical experiences in the US Civil War.
Most histories of wounded Civil War veterans construe them as feminized men whose manhood has suffered due to their inability to provide for and raise families or engage in business. Wounded for Life complicates this picture by examining how seven veterans--six soldiers and one physician--coped with their changed bodies in their postwar lives. Through these intimate stories, author Robert D. Hicks looks at the veteran's body as shaped by the trauma of the battlefield and hospital and the construction of a postwar identity in relation to that trauma. Through his research, he reveals the changing social circumstances of the late 19th and early 20th centuries as they impacted the traumatized veteran's body. This engaging book is equal parts Civil War history, disability and gender history, and the history of the body that discloses the impact of war on a wounded warrior.
Historians have long treated the patriotic anthems of the American Civil War as colorful, if largely insignificant, side notes. Beneath the surface of these songs, however, is a complex story. "Maryland, My Maryland" was one of the most popular Confederate songs during the American Civil War, yet its story is full of ironies that draw attention to the often painful and contradictory actions and beliefs that were both cause and effect of the war. Most telling of all, it was adopted as one of a handful of Southern anthems even though it celebrated a state that never joined the Confederacy. In Maryland, My Maryland: Music and Patriotism during the American Civil War James A. Davis illuminates t...
In a study that will radically shift our understanding of Civil War literature, Elizabeth Young shows that American women writers have been profoundly influenced by the Civil War and that, in turn, their works have contributed powerfully to conceptions of the war and its aftermath. Offering fascinating reassessments of works by white writers such as Harriet Beecher Stowe, Louisa May Alcott, and Margaret Mitchell and African-American writers including Elizabeth Keckley, Frances Harper, and Margaret Walker, Young also highlights crucial but lesser-known texts such as the memoirs of women who masqueraded as soldiers. In each case she explores the interdependence of gender with issues of race, s...