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Sonia Gandhi's story represents the greatest transformational journey made by any world leader in the last four decades. Circumstance and tragedy, rather than ambition, paved her path to power. Born into a traditional, middle-class Italian family, Sonia met and fell in love with Rajiv Gandhi, son of future Indian prime minister Indira Gandhi and grandson of Jawaharlal Nehru, while studying English in Cambridge. Cruelly tested by the assassinations of her mother-in-law and of her husband, Sonia grew into a strong, authoritative but always private figure, now president of a coalition ruling over a billion people in the world's largest democracy. Through exclusive interviews with members of Sonia's party, political opponents and family friends, Rani Singh casts new light on Sonia. In the first mainstream biography of this inspirational figure, the author's compelling narrative retraces the path of the brave and beautiful Sonia Gandhi, examining what her life and legacy mean for India.
Set in the hills of India, this story revolves around a crow, a mouse and a deer who throw a 100th birthday party for a tortoise. Rani Singh has read the story for a Radio 5 broadcast.
This educational book helps create a curiosity about the wonders of the human body in the minds of young readers.
The brave woman, Maharani Lakshmibai, is a grand personality and inspiring chapter of Indian history. Even today her name inspires a new zeal in the hearts of all those who are struggling against injustice and cruelties. Her life was a strange combination of rise and fall. A seven-year-old innocuous madonna, the daughter of Moropant Tambe, a very ordinary common man, by quirk of circumstances, became the queen of nearly middle aged Raja Gangadhar Rao—Maharani Lakshmibai. She became a widow at the tender age of nineteen years. And from here began her life of struggles. At the time of merger of her state in the British empire, she thundered, “I’ll not give my Jhansi. The brave woman, Mah...
Colonial texts often read the Indian woman warrior as a cultural anomaly, but Indian texts find recourse in the mythological examples of the female warrior. Rani Lakshmi Bai's remaking transforms the mythologically viable, yet socially marginal, figure of a woman in battle into bounded and meaningful feminine roles such as daughter, wife, mother, and queen. Women and the home were integral to how nationalist discourse envisioned the modern, yet traditional, Indian nation. The Rani remains a metaphoric referent of the home, and is an abiding symbol of the nation, reinvented as authority, power, and tradition. The depictions of the Rani signals what is at stake in representing the unrestricted woman in the public sphere. The book extends the discussion on what constitutes the historical archive of the gendered colonial subject and the postcolonial rebel by being attentive to the vexed figures produced within the competing ideologies of colonialism and nationalism.
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She ruled over a small kingdom, but dreamt of freedom for the whole country. In the great revolt of 1857, Lakshmibai, the Rani of Jhansi, matched wits and force with the best of British generals. The image of the brave Rani of Jhansi charging her steed through enemy lines, her sword raised for the next thrust, is forever imprinted in Indian hearts.
Nanotechnology has shown great potential in all spheres of life. With the increasing pressure to meet the food demands of rapidly increasing population, thus, novel innovation and research are required in agriculture. The principles of nanotechnology can be implemented to meet the challenges faced by agricultural demands. Major challenges include the loss of nutrients in the soil and nutrient-deficient plants, which result in a lower crop yield and quality. Subsequently, consumption of such crops leads to malnourishment in humans, especially in underprivileged and rural populations. One convenient approach to tackle nutrient deficiency in plants is via the use of fertilizers; however, this m...
Historical events associated with Maharani Jind Kaur, 1817-1863?, wife of Ranjit Singh, Maharaja of the Punjab, 1780-1839.
Filmmaker, musicologist, painter, ethnographer, graphic designer, mystic, and collector of string figures and other patterns, Harry Smith (1923-1991) was among the most original creative forces in postwar American art and culture, yet his life and work remain poorly understood. Today he is remembered primarily for his Anthology of American Folk Music (1952)--an idiosyncratic collection of early recordings that educated and inspired a generation of musicians and roots music fans--and for a body of innovative abstract and nonnarrative films. Constituting a first attempt to locate Smith and his diverse endeavors within the history of avant-garde art production in twentieth-century America, the essays in this volume reach across Smith's artistic oeuvre. In addition to contributions by Paul Arthur, Robert Cantwell, Thomas Crow Stephen Fredman, Stephen Hinton, Greil Marcus, Annette Michelson, William Moritz, and P. Adams Sitney, the volume contains numerous illustrations of Smith's works and a selection of his letters and other primary sources.