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Originally published in Serbo-Croatian as: Kiklop.
In his semiautobiographical novel, Cyclops, Croatian writer Ranko Marinkovic recounts the adventures of young theater critic Melkior Tresic, an archetypal antihero who decides to starve himself to avoid fighting in the front lines of World War II. As he wanders the streets of Zagreb in a near-hallucinatory state of paranoia and malnourishment, Melkior encounters a colorful circus of characters—fortune-tellers, shamans, actors, prostitutes, bohemians, and café intellectuals—all living in a fragile dream of a society about to be changed forever. A seminal work of postwar Eastern European literature, Cyclops reveals a little-known perspective on World War II from within the former Yugoslav...
The works gathered together here have all been written since World War II. They offer a unique opportunity to see and understand the development, nature, and main characteristics of Slavic creative writing in our time.
Vol. for 1989 is an index of issues published 1966-1988.
Situated at the foot of a range of hills on the edge of the great Pannonian Plain, for most of its history Zagreb has been a small town to which things happened. Administered from 1102 by Hungary and later absorbed into the Habsburg Monarchy, Zagreb was under threat from the advancing Ottomans until the late sixteenth century. From the mid-nineteenth century onwards Zagreb developed steadily into a modern city, reflecting all the important trends in Central European culture, architecture and fashion. Its pretty centre is laid out according to a plan incorporating trees and public gardens, forming a "green horseshoe" lined with imposing buildings. Celia Hawkesworth explores this central core and the atmospheric old town on a rise above it, finding a mix of old and modern building, a rich cultural tradition and a vibrant outdoor cafe life, in which many of the individuals who have contributed to creating the city's unique inner life are commemorated in statues in the streets and squares.
On the Red Horse, Peter and Paul is Helena Peričić's brave, utterly open-hearted and open-minded testimony of her private and intellectual experience of living and surviving the Homeland War in Croatia during the ’90. This edition is bilingual and includes both the English translation and the original text in Croatian.
The Political Novel in the South Slavic Intercultural Context investigates the problem of the genre of the most elusive literary genre: the political novel, and the presence of “political” in novels of South Slavic literature, primarily in the intercultural South Slavic social context, as well as in the context of contemporary history of Southeast and Central Europe. This genre in the South Slavic inter-literary context has not yet been scientifically and systematically studied and presented, although there are critical and scientific reviews that indicate its presence in literary production. The best novels from the canonical South Slavic authors Miroslav Krleža, Mihailo Lalić, Oskar ...
After the First World War, East Central Europe underwent an extensive geopolitical reconfiguration, resulting in highly turbulent environments in which political sacrificial narratives found a breeding ground. They engaged various groups’ experiences of dispossession, energizing them for the wars against their ‘perpetrators’. By knitting together their frustrations and thus creating new foundational myths, these narratives introduced new imagined communities. Their mutual competition established a typically post-imperial traumatic constellation that generated discontent, frustrations and anxieties. Within the various constituencies that structured it through their interaction, this book focuses on literary narratives of dispossession, which, placed at its nodes, develop much subtler technologies than their political counterparts. They are interpreted as individual and clandestine oppositions to the homogenizing pattern of public narratives.
A major scholarly collection of international research on the reception of James Joyce in Europe
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