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Raqib Shaw?s opulent and brightly coloured paintings suggest a fantastical world full of intricate detail, rich colour, and jewel-like surfaces, all masking the intense violent, religious and sexual nature of its imagery. There is a sense of anxiety in the paintings, which are influenced by Bosch's Garden of Earthly Delights. In this exhibition he also made a large-scale model of a giant lobster-type creature devouring a man with a bird-head.
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The first monograph on more than thirty years’ work by the Indian-born British artist, whose opulent, brightly colored paintings have made him one of the most extraordinary and sought-after artists working today. Shaw’s work is as vibrant and ornate in color and detail as it is ambitious in scope, with a remarkable synergy between his fantastical and often violent imagery and the delicacy of his technique. Deeply inspired by the old masters but infused with his own personal iconography, and drawing equally on eastern and western mythology, his work represents a compelling and profoundly contemporary hybridization of aesthetics and sensibilities. His opulent and intricately detailed paint...
- This breathtakingly intricate, beautiful book accompanies an exhibition at the Scottish National Gallery of Modern Art in Edinburgh and extensive publicity surrounding it. The exhibition runs 19 May to 28 October and there will be a BBC tv program exploring the work of Raqib Shaw this spring Raqib Shaw is one of the most extraordinary and sought-after artists working in the world today. Born in Calcutta in 1974 and raised in Kashmir, he came to London to study in 1998 and has lived there ever since. Inspired by a broad range of influences, including the old masters, Indian miniatures, Persian carpets and the Pre-Raphaelites, his paintings are infused with memories and longing for his homel...
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Calcutta-born, London-based painter Raqib Shaw (born 1974) builds his mythic universe from early-nineteenth-century French colonial art. His man-animal characters and fantastic landscapes starts as line drawings that are filled in with ink and paint and then further enhanced with enamel, lead glass and gilding. This volume is published for his first solo show in Paris.
Is it possible to speak of a contemporary art with an Islamic difference? This question is the subject of an exhibition that brings together artists who come from the Islamic world. Tapping into certain aesthetic, political, and spiritual notions, this book seeks to highlight the nuanced reactions of each individual artist.
Accordion-fold book