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The Donnelly Album
Ray Fazakas combines unique narrative and an astonishing treasure trove of old photographs, drawings, maps, and documents - of the Donnellys, their murderers, and the sites and people involved - to recreate an entire segment of Canadian frontier life.
Terry Culbert's Lucan
Terry Culbert's love of his Irish roots spawned this unusual look at the Irish-Canadian village in which he grew up.
In Search of the Donnellys
How the Donnelly story was researched by its foremost authority, including the Irish background and subsequent fates of participants.
The Donnellys
Based on a true story, these three plays explore the saga of a secret society and massacre that stunned the Canadian public in 1880.
The Donnellys: Massacre, Trial, and Aftermath
A story made all the more shocking because it’s true. In 1880, an organized mob of the Donnellys’ enemies murder four family members and burn their house to the ground. Another sibling is shot to death in a house a short distance away. William Donnelly and a teenage boy are the only witnesses to the murders. The surviving family members seek justice through the local courts but quickly learn that their enemies control the jury and the press. Two sensational trials follow that make national and international headlines as the Donnellys continue to pursue justice for their murdered parents, siblings and cousin. Behind the scenes, political factors are at play, as Oliver Mowat, the Premier/Attorney General of the province of Ontario, fearing the backlash a conviction would render, gradually withdraws support from the prosecution of the killers. After the trials, the Donnelly’s enemies continue their crusade against the family, paying off potential witnesses to the murders and fabricating one last set of charges that they hope will put the remaining Donnellys away forever.
The Donnellys: Powder Keg
A violent family living in violent times. In the 1840s, the Donnelly family immigrates from Ireland to the British province of Canada. Almost immediately problems develop as the patriarch of the family is sent to the Kingston Penitentiary for manslaughter, leaving his wife to raise their eight children on her own. The children are raised in an incredibly violent community and cultivate a devoted loyalty to their mother and siblings, which often leads to problems with the law and those outside of the family. The tensions between the family and their community escalate as the family’s enemies begin to multiply. The brothers go into business running a stagecoach line and repay all acts of violence perpetrated against them, which only worsens the situation. Refusing to take a backwards step, the Donnellys stand alone against a growing power base that includes wealthy business interests in the town of Lucan, the local diocese of the Roman Catholic Church, law authorities and a number of their neighbours.
Canadian Film and Video
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original pub...
Irish Migrants in the Canadas
"This new, expanded edition of Irish Migrants in the Canadas traces the genealogies, movements, landholding strategies, and economic lives of 775 families of Irish immigrants who came to Canada between 1815 and 1855. This study has important implications for our understanding of nineteenth-century society in Ireland, Canada, and the United States."--Jacket.
This Side of Heaven
What motivated a group of men in southwestern Ontario to enter the Donnelly farmhouse in 1880 and bludgeon the family to death? Feltes' rigorously Marxist approach situates the murders in a compelling web of economic, social, and geographical structures.
Blood of the Donnellys
Jason Stevens is an angry 15-year-old when his parents decide to move from Toronto to Lucan, Ontario, site of the notorious 1880 massacre of the Irish-Canadian Donnelly family. In the big city, Jason’s spate of petty thievery earned him a sentence of community service under the tutelege of his grandfather, an eccentric retired school teacher, who is building a museum devoted to the history of Lucan. Now even unhappier than he was in Toronto, Jason falls in with a gang of youth called the White Boys, who are involved with the local drug trade and who are terrorizing the neighbourhood, much as the Donnellys were once accused of doing. While performing his community service, Jason finds himself becoming enthralled with the Donnelly story. With the help of a ghost of someone who may have had something to do with the butchery of the Donnellys, Jason searches for answers both in history and in his own life.
