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Investigative journalists present explosive new evidence connecting the accused JFK assassin to the CIA—and to his own killer. Journalists Ray and Mary La Fontaine have uncovered significant new evidence in the Kennedy assassination—evidence that substantiates the existence of a conspiracy, and that suggests Lee Harvey Oswald was framed for the president’s murder. In Oswald Talked, they establish a crucial link between Oswald and Jack Ruby, the CIA, and other government agencies. Among the evidence uncovered here is a Department of Defense card showing that Oswald was employed by the US government after his discharge from the Marines; testimony by a man who altered photos of Oswald for the official investigation; and arrest records and names of the three enigmatic vagrants who have been at the heart of several conspiracy theories. Most significant of all, the La Fontaines speak with John Elrod, who was arrested the day of Kennedy’s assassination—and kept in a cell next to Oswald’s. His incarceration had been hidden by the FBI for decades. In Oswald Talked, they reveal what Elrod learned from Oswald himself that day.
Encyclopedic in scope and heroically audacious, The Novel: An Alternative History is the first attempt in over a century to tell the complete story of our most popular literary form. Contrary to conventional wisdom, the novel did not originate in 18th-century England, nor even with Don Quixote, but is coeval with civilization itself. After a pugnacious introduction, in which Moore defends innovative, demanding novelists against their conservative critics, the book relaxes into a world tour of the pre-modern novel, beginning in ancient Egypt and ending in 16th-century China, with many exotic ports-of-call: Greek romances; Roman satires; medieval Sanskrit novels narrated by parrots; Byzantine erotic thrillers; 5000-page Arabian adventure novels; Icelandic sagas; delicate Persian novels in verse; Japanese war stories; even Mayan graphic novels. Throughout, Moore celebrates the innovators in fiction, tracing a continuum between these pre-modern experimentalists and their postmodern progeny. Irreverent, iconoclastic, informative, entertaining-The Novel: An Alternative History is a landmark in literary criticism that will encourage readers to rethink the novel.
Untangling the logic behind the JFK conspiracy claims.
My quest for an answer to the riddle of President Kennedys assassination first began in April 1967 following a talk given by Warren Commission critic and best-selling author, Mark Lane at Michigan State University where I was a graduate student. My search has lasted well over twenty years. Gathering every scrap of information I could find on the assassination, I have arrived at what I believe is the most credible thesis to date. As a result of meticulous research, I am able to identify probable suspects in what I have come to believe was a far-reaching conspiracy which involved not only renegade elements from the CIA and organized crime figures, but one which extended to the highest echelons...
This book argues that literary and historiographical works written by Iberian Christians between the twelfth and sixteenth centuries promoted contradictory representations of Muslims in order to advocate for their colonization through the affirmation of Christian supremacy. Ambivalent depictions of cultural difference are essential for colonizers to promote their own superiority, as explained by postcolonial critics and observed in medieval and early modern texts in Castilian, Catalan, and Portuguese, such as the Cantar de mio Cid, Cantigas de Santa Maria, Llibre dels fets, Estoria de España, Crónica geral de 1344, Tirant lo Blanch, and Os Lusíadas. In all these works, the contradictions of Muslim enemies, allies, and subjects allow Christian leaders to prevail and profit through their opposition and collaboration with them. Such colonial dynamics of simultaneous belligerence and assimilation determined the ways in which Portugal, Spain, and later European powers interacted with non-Christians in Africa, Asia, and even the Americas.
This is an analysis of the diverse facets of Alexander the Great’s image from the Renaissance era through the Baroque into the nineteenth century. Perceived as the first sovereign ruler of the world, for centuries Alexander became an exemplar for the most ambitious kings and emperors. This cultural phenomenon flourished above all in the Renaissance while extending into the nineteenth century. Early modern monarchs’ identification with Alexander associated them with ideas of kingly wisdom. Yet this admiration waned on occasions. Napoleon was Alexander of Macedonia’s most ardent critic. During the nineteenth century, the Macedonian hero was viewed as an individual who won control of the Achaemenid empire, but also underwent a progressive moral decline that converted him into a tyrant. The book will be of interest to scholars working in art history and iconography.
This book synthesizes three fields of inquiry on the cutting edge of scholarship in medieval studies and world history: the history of medieval Sicily; the history of maritime violence, often named as piracy; and digital humanities. By merging these seemingly disparate strands in the scholarship of world history and medieval studies into a single volume, this book offers new insights into the history of medieval Sicily and the study of maritime violence. As several of the essays in this volume demonstrate, maritime violence fundamentally shaped experience in the medieval Mediterranean, as every ship that sailed, even those launched for commerce or travel, anticipated the possibility of encountering pirates, or dabbling in piracy themselves.