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Profile Pieces
This book examines the history, theory and journalistic practice of profile writing. Profiles, and the practice of writing them, are of increasing interest to scholars of journalism because conflicts between the interviewer and the subject exemplify the changing nature of journalism itself. While the subject, often through the medium of their press representative, struggles to retain control of the interview space, the journalist seeks to subvert it. This interesting and multi-layered interaction, however, has rarely been subject to critical scrutiny, partly because profiles have traditionally been regarded as public relations exercises or as ‘soft’ journalism. However, chapters in this volume reveal not only that profiling has, historically, taken many different forms, but that the idea of the interview as a contested space has applications beyond the subject of celebrated individuals. The volume looks at the profile’s historical beginnings, at the contemporary manufacture of celebrity versus the ‘ordinary’, at profiling communities, countries and movements, at profiling the destitute, at sporting personalities and finally at profiling and trauma.
The Encyclopedia of New York City
Covering an exhaustive range of information about the five boroughs, the first edition of The Encyclopedia of New York City was a success by every measure, earning worldwide acclaim and several awards for reference excellence, and selling out its first printing before it was officially published. But much has changed since the volume first appeared in 1995: the World Trade Center no longer dominates the skyline, a billionaire businessman has become an unlikely three-term mayor, and urban regeneration—Chelsea Piers, the High Line, DUMBO, Williamsburg, the South Bronx, the Lower East Side—has become commonplace. To reflect such innovation and change, this definitive, one-volume resource on...
Shakespeare's Visual Theatre
In this study of Shakespeare's visual culture Frederick Kiefer looks at the personified characters created by Shakespeare in his plays, his walking, talking abstractions. These include Rumour in 2 Henry IV, Time in The Winter's Tale, Spring and Winter in Love's Labour's Lost, Revenge in Titus Andronicus, and the deities in the late plays. All these personae take physical form on the stage: the actors performing the roles wear distinctive attire and carry appropriate props. The book seeks to reconstruct the appearance of Shakespeare's personified characters; to explain the symbolism of their costumes and props; and to assess the significance of these symbolic characters for the plays in which they appear. To accomplish this reconstruction, Kiefer brings together a wealth of visual and literary evidence including engravings, woodcuts, paintings, drawings, tapestries, emblems, civic pageants, masques, poetry and plays. The book contains over forty illustrations of personified characters in Shakespeare's time.
Selected Studies in Drama and Renaissance Literature
In a distinguished career of teaching, research, editing, and writing, Clifford Davidson has produced an impressive number of publications. For more than thirty years he was an editor of Comparative Drama, the standard journal in the field. He has published widely on medieval and Renaissance drama, with articles and books on topics of vital interest - violence in early plays, the matter of illusion and truth, iconoclasm and iconography, and the stability of symbolic images. that the past may serve to heal the wound of post-modernity and to make its skepticism seem irrelevant. This collection presents one previously unpublished essay and harvests some of the best of Davidson's shorter writings, published in a wide range of journals and monographs not always readily accessible today. He is now professor emeritus of English and Medieval Studies at Western Michigan University, home of the annual International Congress of Medieval Studies, through which Davidson's guiding presence has moved for more than thirty-eight years.
ADE Bulletin
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Shakespearean Criticism
The plays, theme or focus of this volume includes: CymbelineRichard IIIThe TempestIconography
