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#You Know You're Black in France When
A groundbreaking study about everyday antiblackness and its refusal in an officially raceblind France. What does it mean to be racialized-as-black in France on a daily basis? #You Know You’re Black in France When… responds to that question. Under the banner of universalism, France messages a powerful and seductive ideology of blindness to race that disappears blackened people and the antiblackness they experience. As Trica Keaton notes, in everyday life, France is anything but raceblind. In this interdisciplinary study, drawn from a range of critical scholarship including that of Philomena Essed and Frantz Fanon, Keaton illuminates how b/Black (racialized/politicized) French people disti...
It's Not Because You're Black
This book takes a realistic look at the effects of underrepresentation of African Americans in colleges and universities. It highlights local, state, and national consequences facing America’s educational future as the country becomes more diverse. It also examines the challenges that face Blacks trying to get into the academy and issues that confront those who penetrate the system. Whether intentional or embedded in the minds of those in American culture, the results of Black underrepresentation in educational settings often carry devastating impacts on African American learners. It affects learners in diverse educational settings as well as the career choices and opportunities for minorities who need them most. An increase in African American professors would not only add diversity on college campuses but also bring a unique perspective to the academy—a situation that would be beneficial to all.
Because They're Black
Social research study of sociological aspects of racial discrimination against Asian and West Indian immigrants in the UK - covers intergroup relations, cultural factors, social integration, political aspects, living conditions, employment, the administration of justice, etc.
Decoloniality in the Grassroots and The Re-emergence of the Black Organic Intellectual
This book explores the relationship between "the roles of the Black “organic intellectual” and the PoC academic scholar, and outlines how important partnerships are emerging from these sometimes-contrasting decolonial praxes. By blending the decolonial processes of Indigenous rights via a liberation Psychology lens, Brazilian critical race scholarship and UK African diasporic collective consciousness via intersectional critical race studies, the authors provide a clear theoretical framework to show how a decolonised multi-layered community epistemology can be produced by the community for the community that in praxis form, can be employed for the fight for social justice within those communities.
#You Know You're Black in France When
A groundbreaking study about everyday antiblackness and its refusal in an officially raceblind France. What does it mean to be racialized-as-black in France on a daily basis? #You Know You’re Black in France When… responds to that question. Under the banner of universalism, France messages a powerful and seductive ideology of blindness to race that disappears blackened people and the antiblackness they experience. As Tricia Keaton notes, in everyday life, France is anything but raceblind. In this interdisciplinary study, drawn from a range of critical scholarship including that of Philomena Essed and Frantz Fanon, Keaton illuminates how b/Black (racialized/politicized) French people dist...
Re-Imagining Black Women
A wide-ranging Black feminist interrogation, reaching from the #MeToo movement to the legacy of gender-based violence against Black women From Michelle Obama to Condoleezza Rice, Black women are uniquely scrutinized in the public eye. In Re-Imagining Black Women, Nikol G. Alexander-Floyd explores how Black women—and Blackness more broadly—are understood in our political imagination and often become the subjects of public controversy. Drawing on politics, popular culture, psychoanalysis, and more, Alexander-Floyd examines our conflicting ideas, opinions, and narratives about Black women, showing how they are equally revered and reviled as an embodiment of good and evil, cast either as victims or villains, citizens or outsiders. Ultimately, Alexander-Floyd showcases the complex experiences of Black women as political subjects. At a time of extreme racial tension, Re-Imagining Black Women provides insight into the parts that Black women play, and are expected to play, in politics and popular culture.
Go to School, You're a Little Black Boy
The inspiring story of Lincoln Alexander, whose exemplary life has involved military service, a successful political career, a thriving law practice, and vocal advocacy.
Black Iconography and Colonial (re)production at the ICC
This book explores the reproduction of colonialism at the International Criminal Court (ICC) and examines international criminal law (ICL) vs the black body through an immersive format of art, music, poetry, and architecture and post-colonial/critical race theory lens. Taking a multi-disciplinary approach, the book interrogates the operationalisation of the Rome Statute to detail a Eurocentric hegemony at the core of ICL. It explores how colonialism and slavery have come to shape ICL, exposing the perpetuation of the colonial, and warns that it has ominous contemporary and future implications for Africa. As currently envisaged and acted out at the ICC, this law is founded on deceptive and co...
The Red and the Black
M. de Rênal is the mayor of a provincial town named Verrières, who hires Julien Sorel as a private teacher for his child. Sorel desires to become a real man and follow the steps of his hero – Napoleon. The young man thinks that it is his duty to seduce the mayor’s wife and they become lovers. However, their little secret will soon be revealed. Who will find out about the love affair? What is going to happen with the two lovers? Will mayor M. de Rênal also find out or the truth will be hidden from him? Find all the answers in Stendhal’s novel "The Red and the Black" from 1830. Stendhal (1783-1842), the pseudonym of Marie-Henry Beyle, was a French writer. A pioneer of literary realism, he is best known for his novels "The Red and the Black" (1830) and "The Charterhouse of Parma" (1839).
