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A groundbreaking study about everyday antiblackness and its refusal in an officially raceblind France. What does it mean to be racialized-as-black in France on a daily basis? #You Know You’re Black in France When… responds to that question. Under the banner of universalism, France messages a powerful and seductive ideology of blindness to race that disappears blackened people and the antiblackness they experience. As Trica Keaton notes, in everyday life, France is anything but raceblind. In this interdisciplinary study, drawn from a range of critical scholarship including that of Philomena Essed and Frantz Fanon, Keaton illuminates how b/Black (racialized/politicized) French people disti...
"[Keaton] provides the most in-depth analysis of the predicament of French Arabs and Africans living in the suburbs of Paris.... [O]ne can read the book through the lens of such great African American writers and activists as Richard Wright, James Baldwin, and Malcolm X.... [It] contains an implicit warning to you, France, not to repeat the American racism in your country." -- from the foreword by Manthia Diawara Muslim girls growing up in the outer-cities of Paris are portrayed many ways in popular discourse -- as oppressed, submissive, foreign, "kids from the projects," even as veil-wearing menaces to France's national identity -- but rarely are they perceived simply as what they say they ...
In Black France / France Noire, scholars, activists, and novelists address the paradox of race in France: the state does not acknowledge race as a meaningful category, but experiences of antiblack racism belie claims of color-blindness.
Multifaceted analyses of the African diaspora in Europe
Introduces key terms, interdisciplinary research, debates, and histories for African American Studies As the longest-standing interdisciplinary field, African American Studies has laid the foundation for critically analyzing issues of race, ethnicity, and culture within the academy and beyond. This volume assembles the keywords of this field for the first time, exploring not only the history of those categories but their continued relevance in the contemporary moment. Taking up a vast array of issues such as slavery, colonialism, prison expansion, sexuality, gender, feminism, war, and popular culture, Keywords for African American Studies showcases the startling breadth that characterizes the field. Featuring an august group of contributors across the social sciences and the humanities, the keywords assembled within the pages of this volume exemplify the depth and range of scholarly inquiry into Black life in the United States. Connecting lineages of Black knowledge production to contemporary considerations of race, gender, class, and sexuality, Keywords for African American Studies provides a model for how the scholarship of the field can meet the challenges of our social world.
Loving Music Till It Hurts explores how people's intense love and protectiveness of music can lead to interpersonal conflicts, societal injustices, and violence. But how might we love music, even embrace it as vital to human thriving, without weaponizing this love? What can we do when loving music and loving people seem at odds?
Few topics generate as much heated public debate in the United States today as immigration across our southern border. Two positions have been staked out, one favoring the expansion of guest-worker programs and focusing on the economic benefits of immigration, and the other proposing greater physical and other barriers to entry and focusing more on the perceived threat to national security from immigration. Both sides of this debate, however, rely in their arguments on preconceived notions and unexamined assumptions about assimilation, national identity, economic participation, legality, political loyalty, and gender roles. In American Immigration After 1996, Kathleen Arnold aims to reveal more of the underlying complexities of immigration and, in particular, to cast light on the relationship between globalization of the economy and issues of political sovereignty, especially what she calls “prerogative power” as it is exercised by the U.S. government.
Decolonizing the Republic is a conscientious discussion of the African diaspora in Paris in the post–World War II period. This book is the first to examine the intersection of black activism and the migration of Caribbeans and Africans to Paris during this era and, as Patrick Manning notes in the foreword, successfully shows how “black Parisians—in their daily labors, weekend celebrations, and periodic protests—opened the way to ‘decolonizing the Republic,’ advancing the respect for their rights as citizens.” Contrasted to earlier works focusing on the black intellectual elite, Decolonizing the Republic maps the formation of a working-class black France. Readers will better com...
When William Henry Hunt married Ida Alexander Gibbs in the spring of 1904, their wedding was a dazzling Washington social event that joined an Oberlin-educated diplomat's daughter and a Wall Street veteran who could trace his lineage to Jamestown. Their union took place in a world of refinement and privilege, but both William and Ida had mixed-race backgrounds, and their country therefore placed severe restrictions on their lives because at that time, "one drop of colored blood" classified anyone as a Negro. This "stain" of melanin pushed the couple's achievements to the margins of American society. Nonetheless, as William followed a career in the foreign service, Ida (whose grandfather was ...
This edited collection considers Black peoples and their history in France and the French Empire during the modern era, from the eighteenth century to the present.