Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Divine Office in the Latin Middle Ages
The Divine Office--the cycle of daily worship other than the Mass--is the richest source of liturgical texts and music from the Latin Middle Ages. However, its richness, the great diversity of its manuscripts, and its many variations from community to community have made it difficult to study, and it remains largely unexplored terrain. This volume is a practical guide to the Divine Office for students and scholars throughout the field of medieval studies. The book surveys the many questions related to the Office and presents the leading analytical tools and research methods now used in the field. Beginning with the Office in the early Middle Ages, the book covers manuscript sources and their...
The Union of Words and Music in Medieval Poetry
In these essays, five noted scholars draw upon the insights of musicology, philology, linguistics, and metrics to illuminate central aspects of the relationship between poetry and music in the Middle Ages. Rebecca A. Baltzer adds notes on the accompanying musical tape made by the professional ensemble Sequentia, which significantly illustrates the topics under consideration, while offering the experience of listening to superb musical performances.
Music and Culture in the Middle Ages and Beyond
The essays in this volume offer diverse, innovative approaches to medieval music and culture.
Chant, Liturgy, and the Inheritance of Rome
Index of Chant Incipits -- Index of Manuscripts -- General Index
A Performer's Guide to Medieval Music
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
Discovering Medieval Song
Comprehensive survey of the conductus over a period of more than one hundred years, demonstrating how music and poetry interact.
Mary and the Liturgical Year
In Mary and the Liturgy Year: A Pastoral Resource, liturgical scholar and professor Katharine E. Harmon offers an engaging survey of Mary’s role in the Church’s liturgical prayer from the first days of the early Church to our own day. In this unique resource, pastoral ministers, theology students, and persons seeking to reflect on Mary as a source of wisdom and faith will discover the riches of Marian theology as Harmon examines the twelve prominent Marian solemnities, feasts, and memorials celebrated throughout the liturgical year. Looking closely at these liturgical days, the reader will come to understand how Mary always leads us to a deeper and more intimate relationship with her son, Jesus.
The Cambridge Companion to Medieval Music
From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques - the key areas of traditional music histories; next taking a topographical view of the subject - from Italy, German-speaking lands, and the Iberian Peninsula; and concludes with chapters on such issues as liturgy, vernacular poetry and reception. Rather than presenting merely a chronological view of the history of medieval music, the volume instead focuses on technical and cultural aspects of the subject. Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.
Les sources du plain-chant et de la musique médiévale
The origin and development of Western plainchant, and of the genres of liturgical book in which it is recorded, have occupied Michel Huglo throughout his long career, which has taken him to libraries in every corner of Europe and the United States. This volume, the first in a set of four to appear in the Variorum series, brings together analyses of manuscripts dating from the 9th to the 13th century, including Huglo's pathbreaking studies of the antiphoner of Compiègne, the first troper-prosers, and of alleluia lists as clues to place of origin. The consequences of the Treaty of Verdun (843) for the diffusion of the plainchant repertory, research in medieval musicology in the 20th century, ...
