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No Girls No Telephones
Poetry. Brittany Cavallaro and Rebecca Hazelton began with the proposition that the opposite of a dream song might be waking speech. Or a sleepless anthem. Or wakeful silence. Then they reversed that notion, and reversed it again. Through an intrepid, always devoted, often cheeky engagement with John Berryman's The Dream Songs, the 26 poems in NO GIRLS NO TELEPHONES strike out for an unmapped horizon where ruined fairy stories, dreams, and self-deception all collide in a perfect storm of "the possibility of Past and Perfect" and "the certainty of the Now and New." These poems are no mere act of homage. Suggestive of the brittle aspirations, illusions, and delusions that permeate our everyday lives, NO GIRLS NO TELEPHONES invites us into a world where, "naïve on the rim / of a glass teacup," men and women exist at odds with one other and with a frighteningly indifferent, fiercely beautiful world.
Vow
Poetry. If you—your charismatic, beautifully erotic self—had died young, your ghost would count itself fortunate to have lived, loved, and flamed-out in the company of the wildly imaginative author of VOW. But it's not just ghosts who find themselves envisioned, en-fabled, sometimes horrifically, in these poems: An ex-husband, ex-lovers, and dear friends also populate these questioning, often darkly humorous lyrics. Like them, the future unsettles you because you have taken vows, too, and broken them. Take heart, you hold in your hands the poetic manual for how to proceed.
Bad Star
Poetry. "Just enough knife, just enough feather--Rebecca Hazelton's Bad Star cuts and caresses with masochistic precision in this brilliant dissection of modern love. I would say to potential readers: take a deep breath and see how far you can go."--Allison Benis White "Bad Star is a gripping, lyric noir that chronicles the travails of a clear-eyed femme fatale we root for despite, or because of, her love of 'small violences/ which swoon her silent/ and unafraid." Hazelton recasts a tale of star-crossed lovers with a fierce intelligence, a profound exploration of eroticism, and a music so exquisite it carries us through from violence to radiance: 'what joy, / to feel opened up/ to wonder...to have the real/ fear at last.'"-- Katy Didden
Fair Copy
"All poem titles are Emily Dickinson first lines, and each poem is an acrostic of that line."
Gloss
Reveling in the constructed realities of movie sets, contract negotiations, and distorted self-portraits, Rebecca Hazelton's keen and subversive poems confront the constant need to adjust our masks to appease impossible standards--and the desperate fear of having our true selves seen and understood.
The Manifesto Project
The poetic manifesto has a long, rich history that hasn't been updated until now. What does a poetic manifesto look like in a time of increased pluralism, relativism, and danger? How can a manifesto open a space for new and diverse voices? Forty-five poets at different stages of their careers contribute to this new anthology, demonstrating the relevance of the declarative form at the intersection of aesthetics and politics. The contributors also have chosen their own poems to accompany their manifestos-an anthologizing act that poets are never permitted. Invaluable for writers at any stage in their careers, this anthology may be especially useful for teachers of creative writing, both underg...
I Am Pilgrim
In a seedy hotel near Ground Zero, a woman lies face down in a pool of acid, features melted of her face, teeth missing, fingerprints gone. The room has been sprayed down with DNA-eradicating antiseptic spray. Pilgrim, the code name for a legendary, world-class segret agent, quickly realizes that all of the murderer's techniques were pulled directly from his own book, a cult classic of forensic science written under a pen name.
Cold Pastoral
FINALIST FOR THE MIDWEST BOOKSELLERS CHOICE AWARD (POETRY) A searing, urgent collection of poems that brings the lyric and documentary together in unparalleled ways—unmasking and examining the specter of manmade disaster. On September 20, 2010, an explosion on the Deepwater Horizon oil rig killed eleven men and began what would become the largest oil spill ever in US waters. On August 29, 2005, Hurricane Katrina made landfall in Louisiana, leading to a death toll that is still unconfirmed. And in April 2014, the Flint water crisis began, exposing thousands of people to lead-contaminated drinking water. This is the litany of our time—and these are the events that Rebecca Dunham traces, pa...
The Best American Poetry 2015
Title page verso indicates hardcover edition, but this ISBN is for the paperback printing.
Whose Story Is This?
Feminist essays for the #MeToo era from “the voice of the resistance,” the international bestselling author of Men Explain Things to Me (The New York Times Magazine). Who gets to shape the narrative of our times? The current moment is a battle royale over that foundational power, one in which women, people of color, non-straight people are telling other versions, and white people and men and particularly white men are trying to hang onto the old versions and their own centrality. In Whose Story Is This? Rebecca Solnit appraises what’s emerging and why it matters and what the obstacles are. Praise for Rebecca Solnit and her essays “Rebecca Solnit is essential feminist reading.” —T...
