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This book explores graded expressions of modality, such as more likely than and quite possible, which provide a rich and underexplored source of insight into modal semantics. The volume explores and expands the typology of scales among English adjectives and uses the result to shed light on the meanings of a variety of epistemic and deontic modals.
The EDA Handbook for Middle Eastern Dance provides an introduction to the most significant aspects of Egyptian Raqs Sharki as taught at the EDA under academy dean DaVid of Scandinavia.
"Hezbollah: The Global Footprint of Lebanon's Party of God is the most-compreshensive examination of Hezbollah's covert activities beyond Lebanon's borders, including its financial and logistical support networks and its criminal and terrorist operations worldwide. Originally published in 2013, this paperback edition includes a new preface and epilogue by the author to update us on Hezbollah's activities in recent years, particularly in supporting the Assad regime in Syria's civil war and the latest crossborder fighting between Hezbollah and Israel after October 7, 2023. Hezbollah-which translates as "Party of God"-is a multifaceted organization: It is a powerful political party in Lebanon, ...
This original study tells the story of the Illinois Country, a collection of French villages that straddled the Mississippi River for nearly a century before it was divided by the treaties that ended the Seven Years' War in the early 1760s. Spain acquired the territory on the west side of the river and Great Britain the territory on the east. After the 1783 Treaty of Paris and the 1803 Louisiana Purchase, the entire region was controlled by the United States, and the white inhabitants were transformed from subjects to citizens. By 1825, Indian claims to the land that had become the states of Illinois and Missouri were nearly all extinguished, and most of the Indians had moved west. John Reda...
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This book is about the folk: the folk in folk dance, the folk in folklore, the folk in folk wisdom. When we see folk dance on the stage or in a tourist setting, which is the way in which many of us experience folk dance, the question arises are these the “real folk” performing their authentic dances? Or are they urban, well trained, carefully-rehearsed professional dancers who make their livelihood as representatives of a specific nation-state acting as the folk? Or something in between? This study delves more deeply into the folk, their origins, their identities in order to know the source of inspiration for ethno identity dances - dances prepared for the stage and the ballroom and for public performances from ballet, state folk dance ensembles and their amateur emulators, immigrant folk dance group performances, and tourist presentations. These dances, unlike modern dance, ballet, or most vernacular dances, always have strong ethnic references. It will also look at a gallery of choreographers and artistic directors across a wide spectrum of dance genres.