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War and Peace in Contemporary Eritrean Poetry
War and Peace in Contemporary Eritrean Poetry focuses on Eritrean written poetry from roughly the last three decades of the twentieth century. The poems appear in the anthology Who Needs a Story? Contemporary Eritrean Poetry in Tigrinya, Tigre and Arabic from which a selection is offered here in their original scripts of Ge'ez or Arabic, and in English translation. Who Needs a Story? is the first anthology of contemporary poetry from Eritrea ever published, and War and Peace in Contemporary Eritrean Poetry is the first book on the subject. Therefore, the groundbreaking effort of the former warrants a discussion of its means of cultural production. All of the poets in Who Needs a Story? parti...
We Have Our Voice
Udvalgte digte.
We Invented the Wheel
Charles Cantalupo works directly with Reesom Haile to offer versions of Haile's work which attempts to join two languages and two traditions in a common effort of poetry that is modern yet classical, epigrammatic, and enduring.
We Have Our Voice
Translated from the Tigrinyan by Charles Cantalupo. The first bilingual collection of poetry by the leading Eritrean poet Reesom Haile who has revolutionised the traditional poetry of Eritrea. Carries the weight of incisive image, narrative clarity, irony plus a droll sense of humour that speaks even after you have finished reading' - Amiri Baraka'
Where War was
"Charles Cantalupo has written a book that crosses all the genres: Where War Was: Poems and Translations from Eritrea is part translation, part reflection, part epic, illustrated with starkly beautiful photographic images by Lawrence Sykes. Cantalupo's poetry recounts his own journey in Eritrea, and his translations of poems by Eritrean writers are authentic and memorable." - Alexandra Dugdale, Editor, Modern Poetry in Translation Charles Cantalupo has two previous collections of poetry - Light the Lights and Animal Woman and Other Spirits. His translations of Eritrean poetry include We Have Our Voice, We Invented the Wheel, and Who Needs a Story, and he has written War and Peace in Contemporary Eritrean Poetry. Distinguished Professor of English, Comparative Literature, and African Studies at Penn State University, he is also the author of books on Thomas Hobbes and Ngũgĩ wa Thiong'o and a memoir, Joining Africa - From Anthills to Asmara.
We Have Crossed Many Rivers
We Have Crossed Many Rivers: New Poetry from Africa is a fascinating anthology of some of the finest contemporary poetic voices from twenty-nine African countries. Inspired by the examples of first generation African poets like Wole Soyinka, Christopher Okigbo, Dennis Brutus, and Mazisi Kunene, the poets in this anthology display rootedness in, and preoccupation with, the discourses of identity and political freedom. At the same time, they engage the more contemporary themes of human and economic rights, governance, the natural environment, love, family and generational relations representative of the African continent. Poems from Tanure Ojaide, Yewande Omotoso, Reesom Haile and Frank Chipasula are included and in all there are contributions from 68 poets.
Poe's Pervasive Influence
The essays in this collection were originally presented as talks at the Poe Studies Association's Third International Edgar Allan Poe Conference: The Bicentennial in October 2009. All the essays in this volume deal with Poe's influence on authors from the United States and abroad; in addition, the collection also includes two examples of primary texts by contemporary authors whose work is directly related to Poe's work or life: an interview with Japanese detective novelist Kiyoshi Kasai and poems by Charles Cantalupo. This volume includes interpretative essays on international authors whose work reflects back on Poe’s work: Edogawa Rampo from Japan; Lu Xun from China; Fernando Pessoa, Eça de Queirós and Ramalho Ortigão from Portugal; Angela Carter from England; and Nikolai Gogol from Russia. The essays in this collection complement and extend a project begun by Lois Vines' Poe Abroad (University of Iowa Press, 1999) and take a wider perspective on Poe's influence with essays on Poe's impact on American authors William Faulkner, Mary Oliver, Joyce Carol Oates, Nathaniel Hawthorne, Herman Melville, and Harriet Jacobs.
Bending the Bow
From the ancient Egyptian inventors of the love lyric to contemporary poets, Bending the Bow: An Anthology of African Love Poetry gathers together both written and sung love poetry from Africa. This anthology is a work of literary archaeology that lays bare a genre of African poetry that has been overshadowed by political poetry. Frank Chipasula has assembled a historically and geographically comprehensive wealth of African love poetry that spans more than three thousand years. By collecting a continent’s celebrations and explorations of the nature of love, he expands African literature into the sublime territory of the heart. Bending the Bow traces the development of African love poetry f...
Dictionary of African Biography
From the Pharaohs to Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490-1468 BC) and Hannibal, the military commander and strategist of Carthage (243-183 BC), to Kwame Nkrumah of Ghana (1909-1972), Miriam Makeba and Nelson Mandela of South Africa (1918 -).
Fire in the Soul
A rousing collection of poems by an international array of poets, mixing well-known poets with up-and-coming talent. In all its forms, poetry has a vitality that reflects well the range of voices involved in the fight for human rights. The work collected here covers issues of equality, freedom of speech, peace, dignity, respect and justice. They are as much about assertiveness and hope as they are about injustice and the outrages that scar human history.
