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Leadership for change
This edited volume reveals how the journey of transformation at the University of the Free State (UFS) became interwoven with student leadership development and global learning. The UFS initiated two intersecting co-curricular programmes, namely, the First-Year Leadership for Change (F1L4C) programme in 2010; and the triennial Global Leadership Summit (GLS) in 2012. Although these programmes changed over time, their core focus remained to be the development of transformational student leaders through the creation of global learning spaces. From its inception in 2010 to the last GLS in 2018, the UFS global learning project involved 780 students and 259 staff members from 109 institutions, across four continents. The goal of this edited volume is to create a deeper understanding of how the UFS F1L4C and GLS programmes enhanced student leadership development through global learning, especially in the context of higher education transformation.
My Dear Boy
"Tidwell and Williams analyze the causal relationships in her interactions with Langston and other family members through the use of psychiatrist Murray Bowen's Family Systems Theory (FST). . . . The editors have grouped the 250 letters chronologically into four sections, each preceded by a brief contextual introduction" --
The Harlem Renaissance
Looks at the Harlem Renaissance, highlighting the history of the neighborhood as well as famous artists and musicians.
Washington, DC, Jazz
Washington, DC, Jazz focuses, primarily, on the history of straight-ahead jazz, using oral histories, materials from the William P. Gottlieb Collection at the Library of Congress, the Felix E. Grant Jazz Archives at the University of the District of Columbia, and Smithsonian Jazz. Home to "Black Broadway" and the Howard Theatre in the Greater U Street area, Washington, DC, has long been associated with American jazz. Duke Ellington and Billy Eckstine launched their careers there in the early 20th century. Decades later, Shirley Horn and Buck Hill would follow their leads, and DC's "jazz millennials" include graduates of the Duke Ellington School of the Arts. For years, Bohemian Caverns and One Step Down were among the clubs serving as gathering places for producers and consumers of jazz, even as Rusty Hassan and other programmers used radio to promote the music. This volume also features the work of photographers Nathaniel Rhodes, Michael Wilderman, and Lawrence A. Randall.
Montage of a Dream
Over a forty six year career, Langston Hughes experimented with black folk expressive culture, creating an enduring body of extraordinary imaginative and critical writing. Riding the crest of African American creative energy from the Harlem Renaissance to the onset of Black Power, he commanded an artistic prowess that survives in the legacy he bequeathed to a younger generation of writers, including award winners Alice Walker, Paule Marshall, and Amiri Baraka. Montage of a Dream extends and deepens previous scholarship, multiplying the ways in which Hughes's diverse body of writing can be explored. The contributors, including such distinguished scholars as Steven Tracy, Trudier Harris, Juda ...
Cleveland's Gospel Music
Cleveland's Gospel Music documents the history of black gospel music from the 1920s through the 1980s. The gospel quartet groups, radio announcers, solo artists, and promoters established Cleveland as the gospel singers' metropolitan hub. An integral part of Cleveland's history and its rich African-American community, gospel singers didn't sing for money or fame, but sang to the glory of God, often beyond the point of exhaustion. This work is a celebration of the past praises of those who sang tirelessly for some 60 years.
Family Oral History Across the World
Family Oral History Across the World presents a process for memorializing family histories, bringing together established oral history standards, exploratory research, and narrative data analysis. Based on and using a prequestionnaire and over 40 recorded interviews with people from across six continents, the analysis system used in the book presents material from these interviews that brings alive the experience of the family history journey. One of the guiding principles is to encourage readers to interview family members, but also others outside the family unit, and to produce a family history in whatever format works. The book illustrates this through the inclusion of many unusual format...
Spirituals
Spirituals originated among enslaved Africans in America during the colonial era. They resonate throughout African American history from that time to the civil rights movement, from the cotton fields to the concert stage, and influenced everything from gospel music to blues and rap. They have offered solace in times of suffering, served as clandestine signals on the Underground Railroad, and been a source of celebration and religious inspiration. Spirituals are born from the womb of African American experience, yet they transcend national, disciplinary, and linguistic boundaries as they connect music, theology, literature and poetry, history, society, and education. In doing so, they reach e...
Methodology, Ideology and Pedagogy of African Art
This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism. Chapters break the externally imposed boundaries of Africa-related works beyond the conventional fragments of traditional, contemporary and diaspora. The contributions are significantly broad in their methodologies, ideologies and pedagogical coverage; yet, they all address various aspects of African artistic creativity, demonstrating the possibilities for analytical experiments that art history presen...
Harambee City
BLACK POWER! It was a phrase that consumed the American imagination in the 1960s and 70s and inspired a new agenda for black freedom. Dynamic and transformational, the black power movement embodied more than media stereotypes of gun-toting, dashiki-wearing black radicals; the movement opened new paths to equality through political and economic empowerment. In Harambee City, Nishani Frazier chronicles the rise and fall of black power within the Congress of Racial Equality (CORE) by exploring the powerful influence of the Cleveland CORE chapter. Frazier explores the ways that black Clevelanders began to espouse black power ideals including black institution building, self-help, and self-defens...
