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This is an international publication exploring early modern cultural exchange between Britain and Savoy, including political, diplomatic, social, religious and artistic trends.
The world of Alban Berg is full of paradoxes, secrets and allusions, but he was able to handle emotional and moral issues at a distance and with profound sympathy. His unhurried, almost aristocratic attitude to life and his extreme self-criticism in professional matters resulted in an extraordinarily small musical output, but it includes towering masterpieces such as the operas Wozzeck and Lulu, and his last work, the Violin Concerto. All of Berg's substantial works are discussed in this Companion which brings together a team of experts who write from a variety of historical and critical perspectives, outlining the place of the music in the cultural history of its time and recontextualising it against the broader twentieth-century interplay of fashions, aesthetics and ideas.
This work marks the 400th anniversary of the death of one of England's greatest monarchs, a highly intelligent and successful ruler. The volume appeals to everyone interested in the charismatic character of Elizabeth I, her time and cultural afterlife. Contributors focus on important aspects of Elizabeth's subtle and resourceful political power and the longstanding struggle she faced at home and abroad as well as the threats posed to her realm. This edition presents a series of essays about fictional representations of Queen Elizabeth I in literature, music, and film. Articles illuminate the fascinating story of her numerous afterlives and their significance for the cultural history of England, its sense of identity and psyche. Essays investigate the ceremony, festivities, and dance practices at her court and bring to life the cultural significance of this colorful and extraordinary monarch. Christa Jansohn is professor of British culture at the University of Bamberg, Germany.
English summary: Integrating texts of homage for secular rulers in sacral mass settings may at first sight seem to be a contradiction. In actual fact, however, the mass - the most liturgical of all genres - was particularly attractive to Renaissance composers as a form of paying homage to a ruler. This study is the first to present a systematic examination of masses for secular rulers from their beginning in around 1500 (Josquin Desprez' "Missa Hercules Dux Ferraria") to the mid-17th century. It analyses and correlates the historical contexts, compositorial style and symbolism of masses from Italy, Spain, Portugal and the House of Habsburg. The outstanding feature of masses for secular ruler...