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The Atwelle Confession
After discovering rare gargoyles mysteriously positioned inside an ancient church being restored in the small English town of Atwelle, the architect Don Whitby and a young research historian Margeaux Wood realize that the gargoyles are predicting the bizarre murders that are occurring in the town. Five hundred years earlier when the church is being built, two powerful families in Atwelle are contesting control of the region in the delicate backdrop of King Henry VIII’s dispute with the Pope over the King’s divorce. In the middle of these conflicts, the same bizarre murders are being committed in the town. Two stories of identical macabre murders five hundred years apart ─ One surprising solution in the mystery of the gargoyles and the Atwelle Confession.
Screening Text
Rather than limiting the cinema, as certain French New Wave critics feared, adaptation has encouraged new inspiration to explore the possibilities of the intersection of text and film. This collection of essays covers various aspects of adaptation studies--questions of genre and myth, race and gender, readaptation, and pedagogical and practical approaches.
(Re)writing and Remembering
Recounting past events is intrinsic to the storytelling function, as most fiction assumes the past tense as the natural means of narrating a story. Few narratives draw attention to this process, yet others make the act of remembering a primary part of the narrative situation. Ranging in its focus from poetry to novels, autobiographical memoirs and biopics – from the ostensibly fictional to the implicitly real – this volume discusses the extent to which such fictional acts of remembering are also acts of rewriting the past to suit the needs of the present. How seamlessly does experience yield to the ordering strictures of narrative and what is at stake in the process? What must be omitted or stylised, and to what (ideological) end? In making an artefact of the past, what role does artifice play, and what does this process also tell us about history-making?
French B Movies
In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film. French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along ...
A Companion to Contemporary French Cinema
A Companion to Contemporary French Cinema A Companion to Contemporary French Cinema presents a comprehensive collection of original essays addressing all aspects of French cinema from 1990 to the present day. Featuring contributions from an international cast of established and emerging scholars of French cinema, these innovative essays highlight the diversity of French films and filmmaking techniques that have emerged since the New Wave era. Themes and topics covered include the social, political, and cultural contexts of recent French cinema; contemporary filmmakers and performers; genres, cycles, and cinematic forms; gender and sexuality; and emerging trends and innovative new filmmaking ...
Taking Up Space
This is the first English-language volume on representations of women at work in contemporary French cultural productions. It covers a variety of genres: literature, cinema and television, journalism, bande dessinée. Draws from a wide range of work experiences from salaried work in academic, artistic, corporate and working-class worlds to unpaid—reproductive, domestic—labour, illegal activities and activism.
ERASED
Maximus Wyld had his heyday in 1940s-50s Hollywood. Of mixed race Black, Chinese and Native American descent, he was "the actor with a thousand faces” , essentially interpreting ethnic roles: Indian chief, Mexican revolutionary, oriental dandy... A veritable reinterpretation of the myth of American cinema through the prism of minorities, Erased reveals the political and social dimension of Hollywood productions. Maximus Ohanzee Wildhorse, renamed “ Maximus Wyld” by Hollywood, was a talented, prized, admired comedian. His filmography is an anthology of cinema: Vertigo, the Maltese Falcon, Sunset Boulevard, the Prisoner of the Desert, Rebecca... Copper faced and with unprecedented beauty...
Wildlife Review
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The Cultural Politics of Colorblind TV Casting
This book fills a significant gap in the critical conversation on race in media by extending interrogations of racial colorblindness in American television to the industrial practices that shape what we see on screen. Specifically, it frames the practice of colorblind casting as a potent lens for examining the interdependence of 21st century post-racial politics and popular culture. Applying a ‘production as culture’ approach to a series of casting case studies from American primetime dramatic television, including ABC’s Grey’s Anatomy and The CW’s The Vampire Diaries, Kristen Warner complicates our understanding of the cultural processes that inform casting and expounds the aesthe...
